Słowacki is writing a drama...

Słowacki pisze dramat... (Słowacki is writing a drama...) is dedicated to dramatic fragments. By outnumbering Słowacki’s other works from the years 1839–1849, they determine the specificity of his entire work in this period and call for recognition as an overall phenomenon. On the basis of two works...

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Main Author: Marek Troszyński
Format: Article
Language:Polish
Published: Adam Mickiewicz University 2010-01-01
Series:Przestrzenie Teorii
Online Access:http://pressto.amu.edu.pl/index.php/pt/article/view/3429
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author Marek Troszyński
author_facet Marek Troszyński
author_sort Marek Troszyński
collection DOAJ
description Słowacki pisze dramat... (Słowacki is writing a drama...) is dedicated to dramatic fragments. By outnumbering Słowacki’s other works from the years 1839–1849, they determine the specificity of his entire work in this period and call for recognition as an overall phenomenon. On the basis of two works, the article presents unique issues related to these dramas. Walter Stadion is an example of a chaotic record which has seen diverse interpretative reconstructions by its editors. Książę Michał Twerski (Prince Mikhail Tversky) provides insights into the poet’s writing technique and a possibility to confront the work’s text with his excerpts from historical works and his personal notes. In the last part, the analysis has been based on the terminology used in the research of Słowacki’s completed dramas (such as W. Szturc’s dramatic “istopes” or K. Ziemba’s miniature prefigurations). The term “fractal”, placed in reference to these notions, is a new proposal presented in the article, in which a description of the work’s formal structure is combined with higher levels of its meaning.
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spelling doaj-art-747e247f167c44bbb80cc4348c17a11e2025-08-20T01:57:47ZpolAdam Mickiewicz UniversityPrzestrzenie Teorii1644-67632450-57652010-01-0113112810.14746/pt.2010.13.13400Słowacki is writing a drama...Marek TroszyńskiSłowacki pisze dramat... (Słowacki is writing a drama...) is dedicated to dramatic fragments. By outnumbering Słowacki’s other works from the years 1839–1849, they determine the specificity of his entire work in this period and call for recognition as an overall phenomenon. On the basis of two works, the article presents unique issues related to these dramas. Walter Stadion is an example of a chaotic record which has seen diverse interpretative reconstructions by its editors. Książę Michał Twerski (Prince Mikhail Tversky) provides insights into the poet’s writing technique and a possibility to confront the work’s text with his excerpts from historical works and his personal notes. In the last part, the analysis has been based on the terminology used in the research of Słowacki’s completed dramas (such as W. Szturc’s dramatic “istopes” or K. Ziemba’s miniature prefigurations). The term “fractal”, placed in reference to these notions, is a new proposal presented in the article, in which a description of the work’s formal structure is combined with higher levels of its meaning.http://pressto.amu.edu.pl/index.php/pt/article/view/3429
spellingShingle Marek Troszyński
Słowacki is writing a drama...
Przestrzenie Teorii
title Słowacki is writing a drama...
title_full Słowacki is writing a drama...
title_fullStr Słowacki is writing a drama...
title_full_unstemmed Słowacki is writing a drama...
title_short Słowacki is writing a drama...
title_sort slowacki is writing a drama
url http://pressto.amu.edu.pl/index.php/pt/article/view/3429
work_keys_str_mv AT marektroszynski słowackiiswritingadrama