Spatial representation Methods in Byzantine Art

This article proposes an analysis of the issue of spatial representation in Byzantine art. In the first part, we identify the reasons leading to the elimination of three-dimensionality effects in Byzantine imagery. The idea that Byzantine artists intentionally gave up three-dimensional representatio...

Full description

Saved in:
Bibliographic Details
Main Author: Daniel Sofron
Format: Article
Language:deu
Published: “George Enescu” National University of Arts of Iași 2016-11-01
Series:Anastasis: Research in Medieval Culture and Art
Subjects:
Online Access:http://anastasis-review.ro/wp-content/uploads/2016/11/III-2-Daniel-Sofrin-BDT.pdf
Tags: Add Tag
No Tags, Be the first to tag this record!
Description
Summary:This article proposes an analysis of the issue of spatial representation in Byzantine art. In the first part, we identify the reasons leading to the elimination of three-dimensionality effects in Byzantine imagery. The idea that Byzantine artists intentionally gave up three-dimensional representation is supported with arguments. Even though Byzantine art systematically rejected representing the third dimension, we can definitely discover certain ways of rendering spatiality. These methods are briefly analysed in the second part of this work.
ISSN:2392-862X
2392-9472