0319 Transparent Paper as a Medium of Copying and Design in the Early Modern Architectural Workshop
This article explores the use and function of the lucido technique in architectural workshops from the Renaissance through the late eighteenth century. By examining evidence from written sources and key drawing collections, the study compares the copying practices of architects with those of artists...
Saved in:
Main Author: | Anna Bortolozzi |
---|---|
Format: | Article |
Language: | deu |
Published: |
International Association of Research Institutes in the History of Art (RIHA)
2025-01-01
|
Series: | RIHA Journal |
Subjects: | |
Online Access: | https://journals.ub.uni-heidelberg.de/index.php/rihajournal/article/view/108191 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Utopies et dystopies de la transparence. Eisenstein, Glass House, et le cinématisme de l’architecture de verre
by: Antonio Somaini
Published: (2011-04-01) -
Drawing Theory. An Introduction
by: Marc Schoonderbeek, et al.
Published: (2010-10-01) -
Création de l’école régionale d’architecture de Toulouse : de l’art de bâtir à l’art du dessin (1903-1942)
by: Jean-Henri Fabre
Published: (2018-09-01) -
Chronology and Typology of Wallpaper in the World until the 19th Century A. D. and the Encounter of Qajar Courtiers with it
by: Zahra Babaei Kalemasihi, et al.
Published: (2024-04-01) -
On the concept of "architectural science"
by: Tarasova Irina V.
Published: (2024-12-01)