performancephilosophy

A deliberate formation of the first part of my title, with no upper-case letters and no space between the words, indicates a desire to bring the two terms closer together, but without any further amalgamation. They are still recognisable in their original meaning and allowed to flow into each other...

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Main Author: Caroline Wilkins
Format: Article
Language:English
Published: Performance Philosophy 2024-12-01
Series:Performance Philosophy
Online Access:https://performancephilosophy.org/journal/article/view/482
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author Caroline Wilkins
author_facet Caroline Wilkins
author_sort Caroline Wilkins
collection DOAJ
description A deliberate formation of the first part of my title, with no upper-case letters and no space between the words, indicates a desire to bring the two terms closer together, but without any further amalgamation. They are still recognisable in their original meaning and allowed to flow into each other’s terrain. In this light, I examine performancephilosophy within the context of a third P (Problems), one that served as the focus of the Helsinki conference in 2022. My analysis deals with how key problems were addressed throughout the program in terms of their format and content. Reference will be made to other Performance Philosophy Biennales and Interim events that reflected similar concerns and offered innovative solutions. During the course of this ReView I shall also refer to Roland Barthes’ use of the term “idiorrhythm” in order to give a theoretical slant to my perspectives and to support proposals for the possible implementation of solutions to these problems in the future.
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series Performance Philosophy
spelling doaj-art-730a5da90bcd41a2a5ecb725e2fb89a82025-02-11T16:00:35ZengPerformance PhilosophyPerformance Philosophy2057-71762024-12-019110.21476/PP.2024.91482performancephilosophyCaroline Wilkins A deliberate formation of the first part of my title, with no upper-case letters and no space between the words, indicates a desire to bring the two terms closer together, but without any further amalgamation. They are still recognisable in their original meaning and allowed to flow into each other’s terrain. In this light, I examine performancephilosophy within the context of a third P (Problems), one that served as the focus of the Helsinki conference in 2022. My analysis deals with how key problems were addressed throughout the program in terms of their format and content. Reference will be made to other Performance Philosophy Biennales and Interim events that reflected similar concerns and offered innovative solutions. During the course of this ReView I shall also refer to Roland Barthes’ use of the term “idiorrhythm” in order to give a theoretical slant to my perspectives and to support proposals for the possible implementation of solutions to these problems in the future. https://performancephilosophy.org/journal/article/view/482
spellingShingle Caroline Wilkins
performancephilosophy
Performance Philosophy
title performancephilosophy
title_full performancephilosophy
title_fullStr performancephilosophy
title_full_unstemmed performancephilosophy
title_short performancephilosophy
title_sort performancephilosophy
url https://performancephilosophy.org/journal/article/view/482
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