Stage Fright from Kató Havas’ Perspective: An Assessment on Violinists
This research presents Kató Havas’ views on stage fright among violinists in particular, with the belief that a performer whose mission in life is to overcome stage fright must be able to feel the full power of music, and contributes to musicians in this regard. In addition to other research conduct...
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| Format: | Article |
| Language: | English |
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Istanbul University Press
2023-12-01
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| Series: | Konservatoryum |
| Subjects: | |
| Online Access: | https://cdn.istanbul.edu.tr/file/JTA6CLJ8T5/ECB8FDBC352C42478E9955EDC3387D5A |
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| Summary: | This research presents Kató Havas’ views on stage fright among violinists in particular, with the belief that a performer whose mission in life is to overcome stage fright must be able to feel the full power of music, and contributes to musicians in this regard. In addition to other research conducted in this field, examining studies based on the perspective of the artist and the experiences of an artist in relation to stage fright is considered important. In this context, the main purpose of the research is to discuss stage fright from the perspective of Kató Havas with a specific focus on violinists. This research uses document analysis as a method. According to the research findings, most research on stage fright has noteworthily focused on its psychological aspects (e.g., cognitive, behavioral, and emotional). Havas, however, emphasizes the importance of “physical confidence” as a key factor related to stage fright, in addition to other factors. She believes the development of this physical confidence to be closely tied to violin education. Havas’ work and views on this subject are considered important and adaptable conclusions. |
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| ISSN: | 2618-5695 |