THE PHENOMENON OF THE REVIVAL OF THE CREATIVITY OF ARTISTS OF THE 2000S THROUGH THE «SAGYNDYM FEST» CONCERT

This article explores the phenomenon of the revival of artists from the 2000s through the «SAGYNDYM FEST» concert, which brought previously forgotten performers—such as Ghetto Dogs, Yerbolat Kudaibergenov, «Ne vse skazano,» «All Davai,» «Ringo,» «101,» «DMX,» and «Domino»— back into the spotlight...

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Main Authors: Zhanat Babazhanova, Ainur Elemes
Format: Article
Language:English
Published: Kazakh National Academy of Choreography 2025-06-01
Series:Arts Academy
Subjects:
Online Access:https://artsacademy.kz/magazine/nauchnyj-zhurnal-arts-academy-1142025/1174-fenomen-vozrozhdeniya-tvorchestva-artistov-2000-kh-cherez-konczert-sagyndym-fest
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author Zhanat Babazhanova
Ainur Elemes
author_facet Zhanat Babazhanova
Ainur Elemes
author_sort Zhanat Babazhanova
collection DOAJ
description This article explores the phenomenon of the revival of artists from the 2000s through the «SAGYNDYM FEST» concert, which brought previously forgotten performers—such as Ghetto Dogs, Yerbolat Kudaibergenov, «Ne vse skazano,» «All Davai,» «Ringo,» «101,» «DMX,» and «Domino»— back into the spotlight. The concert underscored the cyclical nature of musical trends and served as a platform for reintroducing cultural figures to contemporary audiences. The study analyzes the sociocultural preconditions of this revival, the role of emotional resonance, and the influence of digital platforms on the resurgence of music from previous decades. The novelty of the research lies in its interdisciplinary approach to examining the renaissance of early-2000s performers within the frameworks of concert management, cultural nostalgia, and digital media technologies. The author proposes a new model of rebranding artists through nostalgic-format events and presents a detailed event management mechanism through which past-era performers attain renewed cultural and commercial relevance. This article contributes to the development of both theoretical and practical knowledge in the fields of arts management, memory studies, digital media environments, and the sociology of music. The findings may be of interest to researchers and practitioners involved in promoting cultural initiatives, organizing musical events, and fostering the creative industries.
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spelling doaj-art-718a06f0e1e044c981736466587ffbe92025-08-20T02:21:29ZengKazakh National Academy of ChoreographyArts Academy2523-46842791-12412025-06-01142406510.56032/2523-4684.2025.2.14.40THE PHENOMENON OF THE REVIVAL OF THE CREATIVITY OF ARTISTS OF THE 2000S THROUGH THE «SAGYNDYM FEST» CONCERTZhanat Babazhanova0https://orcid.org/0000-0001-5414-135XAinur Elemes1https://orcid.org/0009-0001-6672-5405Kazakh National Academy of ChoreographyKazakh National Academy of ChoreographThis article explores the phenomenon of the revival of artists from the 2000s through the «SAGYNDYM FEST» concert, which brought previously forgotten performers—such as Ghetto Dogs, Yerbolat Kudaibergenov, «Ne vse skazano,» «All Davai,» «Ringo,» «101,» «DMX,» and «Domino»— back into the spotlight. The concert underscored the cyclical nature of musical trends and served as a platform for reintroducing cultural figures to contemporary audiences. The study analyzes the sociocultural preconditions of this revival, the role of emotional resonance, and the influence of digital platforms on the resurgence of music from previous decades. The novelty of the research lies in its interdisciplinary approach to examining the renaissance of early-2000s performers within the frameworks of concert management, cultural nostalgia, and digital media technologies. The author proposes a new model of rebranding artists through nostalgic-format events and presents a detailed event management mechanism through which past-era performers attain renewed cultural and commercial relevance. This article contributes to the development of both theoretical and practical knowledge in the fields of arts management, memory studies, digital media environments, and the sociology of music. The findings may be of interest to researchers and practitioners involved in promoting cultural initiatives, organizing musical events, and fostering the creative industries.https://artsacademy.kz/magazine/nauchnyj-zhurnal-arts-academy-1142025/1174-fenomen-vozrozhdeniya-tvorchestva-artistov-2000-kh-cherez-konczert-sagyndym-festmusical cyclicalitynostalgiapop culturestreaming platforms2000s music
spellingShingle Zhanat Babazhanova
Ainur Elemes
THE PHENOMENON OF THE REVIVAL OF THE CREATIVITY OF ARTISTS OF THE 2000S THROUGH THE «SAGYNDYM FEST» CONCERT
Arts Academy
musical cyclicality
nostalgia
pop culture
streaming platforms
2000s music
title THE PHENOMENON OF THE REVIVAL OF THE CREATIVITY OF ARTISTS OF THE 2000S THROUGH THE «SAGYNDYM FEST» CONCERT
title_full THE PHENOMENON OF THE REVIVAL OF THE CREATIVITY OF ARTISTS OF THE 2000S THROUGH THE «SAGYNDYM FEST» CONCERT
title_fullStr THE PHENOMENON OF THE REVIVAL OF THE CREATIVITY OF ARTISTS OF THE 2000S THROUGH THE «SAGYNDYM FEST» CONCERT
title_full_unstemmed THE PHENOMENON OF THE REVIVAL OF THE CREATIVITY OF ARTISTS OF THE 2000S THROUGH THE «SAGYNDYM FEST» CONCERT
title_short THE PHENOMENON OF THE REVIVAL OF THE CREATIVITY OF ARTISTS OF THE 2000S THROUGH THE «SAGYNDYM FEST» CONCERT
title_sort phenomenon of the revival of the creativity of artists of the 2000s through the sagyndym fest concert
topic musical cyclicality
nostalgia
pop culture
streaming platforms
2000s music
url https://artsacademy.kz/magazine/nauchnyj-zhurnal-arts-academy-1142025/1174-fenomen-vozrozhdeniya-tvorchestva-artistov-2000-kh-cherez-konczert-sagyndym-fest
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