Captiver/séduire. Note sur la gestuelle des joueurs de hautbois nāgasvaram
Playing the nāgasvaram shawm involves gestures that are not directly involved in sound production: the instrument is indeed regularly set in motion, vertically, horizontally, or by combining these two planes. Musicians do not generally speak of these gestures and the movements they imply, but they s...
Saved in:
| Main Author: | William Tallotte |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Éditions de l'EHESS
2012-05-01
|
| Series: | Transposition |
| Subjects: | |
| Online Access: | https://journals.openedition.org/transposition/339 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Analyse et exploitation de la variabilité gestuelle dans la prévention des TMS
by: Marion Brunet, et al.
Published: (2009-05-01) -
Vers une compréhension de la construction des gestuelles avec l’expérience : le cas des « tôliers » d’une entreprise automobile
by: Karine Chassaing
Published: (2004-05-01) -
La gestuelle de l’acteur Totò : entre ancrage culturel, innovations et survivances archaïques
by: Élodie Hachet
Published: (2024-09-01) -
Survey on Hand Gesture Recognition From Visual Input
by: Manousos Linardakis, et al.
Published: (2025-01-01) -
Embodied sharpness: exploring the slicing gesture in political talk shows
by: Silva H. Ladewig
Published: (2025-02-01)