Shapeshifters and Starseeds: Populist Knowledge Production, Generous Epistemology, and Disinformation on U.S. Conspiracy TikTok

This article investigates the intersection of identity, power, and knowledge production on U.S. ConspiracyTok, a genre of TikTok videos promoting conspiracy theories ranging from harmless speculation to harmful disinformation. Drawing on qualitative content analysis of 202 highly viewed videos, we e...

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Main Authors: Alice Marwick, Courtlyn Pippert, Katherine Furl, Elaine Schnabel
Format: Article
Language:English
Published: SAGE Publishing 2025-07-01
Series:Social Media + Society
Online Access:https://doi.org/10.1177/20563051251357483
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author Alice Marwick
Courtlyn Pippert
Katherine Furl
Elaine Schnabel
author_facet Alice Marwick
Courtlyn Pippert
Katherine Furl
Elaine Schnabel
author_sort Alice Marwick
collection DOAJ
description This article investigates the intersection of identity, power, and knowledge production on U.S. ConspiracyTok, a genre of TikTok videos promoting conspiracy theories ranging from harmless speculation to harmful disinformation. Drawing on qualitative content analysis of 202 highly viewed videos, we examine how identity markers such as race and gender shape who is empowered or undermined in conspiratorial narratives, and how creators construct and circulate “evidence” to support their claims. We find that American ConspiracyTok is populated largely by young, non-White, and/or female creators who challenge the stereotype of the White, male conspiracy theorist. These creators interpellate audiences through visible identity markers, fostering a sense of intimacy and trust. Marginalized groups are often cast as victims, while institutions like science, government, and media are portrayed as villains. Creators construct legitimacy through visual media, personal anecdotes, deep lore, and remixing fictional and mainstream texts—engaging in a form of populist knowledge production within a generous epistemology that welcomes divergent truths and alternative worldviews. These practices blur the lines between entertainment and ideology, often mimicking academic, or journalistic knowledge production while rejecting institutional authority. While ConspiracyTok can serve as a form of standpoint epistemology that empowers minoritized creators and critiques systemic injustice, it can just as easily reinforce bias and spread disinformation. ConspiracyTok is a site of vernacular theorizing where epistemology and identity are deeply entangled, offering both a critique of mainstream power and a cautionary tale about the populist appeal of conspiratorial thinking.
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spelling doaj-art-6f670c1ad0e94032b248e6566b82f2f22025-08-20T03:51:24ZengSAGE PublishingSocial Media + Society2056-30512025-07-011110.1177/20563051251357483Shapeshifters and Starseeds: Populist Knowledge Production, Generous Epistemology, and Disinformation on U.S. Conspiracy TikTokAlice Marwick0Courtlyn Pippert1Katherine Furl2Elaine Schnabel3The University of North Carolina at Chapel Hill, USAUniversity of South Carolina Aiken, USAUniversity of North Dakota, USAWeber State University, USAThis article investigates the intersection of identity, power, and knowledge production on U.S. ConspiracyTok, a genre of TikTok videos promoting conspiracy theories ranging from harmless speculation to harmful disinformation. Drawing on qualitative content analysis of 202 highly viewed videos, we examine how identity markers such as race and gender shape who is empowered or undermined in conspiratorial narratives, and how creators construct and circulate “evidence” to support their claims. We find that American ConspiracyTok is populated largely by young, non-White, and/or female creators who challenge the stereotype of the White, male conspiracy theorist. These creators interpellate audiences through visible identity markers, fostering a sense of intimacy and trust. Marginalized groups are often cast as victims, while institutions like science, government, and media are portrayed as villains. Creators construct legitimacy through visual media, personal anecdotes, deep lore, and remixing fictional and mainstream texts—engaging in a form of populist knowledge production within a generous epistemology that welcomes divergent truths and alternative worldviews. These practices blur the lines between entertainment and ideology, often mimicking academic, or journalistic knowledge production while rejecting institutional authority. While ConspiracyTok can serve as a form of standpoint epistemology that empowers minoritized creators and critiques systemic injustice, it can just as easily reinforce bias and spread disinformation. ConspiracyTok is a site of vernacular theorizing where epistemology and identity are deeply entangled, offering both a critique of mainstream power and a cautionary tale about the populist appeal of conspiratorial thinking.https://doi.org/10.1177/20563051251357483
spellingShingle Alice Marwick
Courtlyn Pippert
Katherine Furl
Elaine Schnabel
Shapeshifters and Starseeds: Populist Knowledge Production, Generous Epistemology, and Disinformation on U.S. Conspiracy TikTok
Social Media + Society
title Shapeshifters and Starseeds: Populist Knowledge Production, Generous Epistemology, and Disinformation on U.S. Conspiracy TikTok
title_full Shapeshifters and Starseeds: Populist Knowledge Production, Generous Epistemology, and Disinformation on U.S. Conspiracy TikTok
title_fullStr Shapeshifters and Starseeds: Populist Knowledge Production, Generous Epistemology, and Disinformation on U.S. Conspiracy TikTok
title_full_unstemmed Shapeshifters and Starseeds: Populist Knowledge Production, Generous Epistemology, and Disinformation on U.S. Conspiracy TikTok
title_short Shapeshifters and Starseeds: Populist Knowledge Production, Generous Epistemology, and Disinformation on U.S. Conspiracy TikTok
title_sort shapeshifters and starseeds populist knowledge production generous epistemology and disinformation on u s conspiracy tiktok
url https://doi.org/10.1177/20563051251357483
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