Écrire « au nom de l’Abeille, du Papillon et de la Brise » : figures animalières et paysagères dans les écrits d’Emily Dickinson.
The article aims at reading some of Emily Dickinson’s texts through the prism of contemporary anthropology, philosophy (Latour, Descola, Deleuze-Guattari, Jullien, Meillassoux, Haraway, Tsing) and landscape theory (Berque) to present how Dickinson creates animal figures to achieve and express a comm...
Saved in:
Main Author: | Estève Marie |
---|---|
Format: | Article |
Language: | English |
Published: |
Association Française d'Etudes Américaines
2012-05-01
|
Series: | Transatlantica |
Subjects: | |
Online Access: | https://journals.openedition.org/transatlantica/5649 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Emily Dickinson’s Line Breaks in Her Envelope Poems
by: Antoine Cazé
Published: (2021-07-01) -
Gathering and Scattering Emily Dickinson’s Poetry
by: Antoine Cazé
Published: (2022-12-01) -
The Influence of Shakespearean Theatricality on Emily Dickinson’s Lyrical Self
by: Adeline Chevrier-Bosseau
Published: (2010-09-01) -
Miscellaneous Notes; L'Abeille
Published: (1891-01-01) -
After great pain a formal feeling comes. Quelques notes sur la formalisation lyrique du trauma
by: Antoine Cazé
Published: (2015-10-01)