Doublages, langues et voix en Europe
Trying to assess the development of dubbing is extremely difficult as it would require an enormous amount of listening and investigation... Michel Chion gives us examples taken from different films which are franco-italian co-productions. He also talks about the importance of exchanging actors from...
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| Format: | Article |
| Language: | English |
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Association Française des Enseignants et Chercheurs en Cinéma et Audiovisuel
2013-04-01
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| Series: | Mise au Point |
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| Online Access: | https://journals.openedition.org/map/1345 |
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| _version_ | 1850124559294922752 |
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| author | Michel Chion |
| author_facet | Michel Chion |
| author_sort | Michel Chion |
| collection | DOAJ |
| description | Trying to assess the development of dubbing is extremely difficult as it would require an enormous amount of listening and investigation... Michel Chion gives us examples taken from different films which are franco-italian co-productions. He also talks about the importance of exchanging actors from one country to another. Questions such as those concerning accents and the significance of the nuances of these implied in the meaning of a film are also raised. Dubbing, however, is not an ideal solution nor are sub-titles. But dubbing can have a certain charm even if some people think that old-style dubbing is out dated. Dubbing is subjected to a matter of agreements as are the social connotations linked to accents. Many people in a film audience would have to be questioned in order to study how films which are either dubbed or sub-titled are received. Michel Chion cites Scarface by Brain De Palma as an example of dubbing which has become extremely popular. |
| format | Article |
| id | doaj-art-6e5e894df575429c8f5db3463d51c12c |
| institution | OA Journals |
| issn | 2261-9623 |
| language | English |
| publishDate | 2013-04-01 |
| publisher | Association Française des Enseignants et Chercheurs en Cinéma et Audiovisuel |
| record_format | Article |
| series | Mise au Point |
| spelling | doaj-art-6e5e894df575429c8f5db3463d51c12c2025-08-20T02:34:16ZengAssociation Française des Enseignants et Chercheurs en Cinéma et AudiovisuelMise au Point2261-96232013-04-01510.4000/map.1345Doublages, langues et voix en EuropeMichel ChionTrying to assess the development of dubbing is extremely difficult as it would require an enormous amount of listening and investigation... Michel Chion gives us examples taken from different films which are franco-italian co-productions. He also talks about the importance of exchanging actors from one country to another. Questions such as those concerning accents and the significance of the nuances of these implied in the meaning of a film are also raised. Dubbing, however, is not an ideal solution nor are sub-titles. But dubbing can have a certain charm even if some people think that old-style dubbing is out dated. Dubbing is subjected to a matter of agreements as are the social connotations linked to accents. Many people in a film audience would have to be questioned in order to study how films which are either dubbed or sub-titled are received. Michel Chion cites Scarface by Brain De Palma as an example of dubbing which has become extremely popular.https://journals.openedition.org/map/1345dubbingsub-titlesaccentsfranco-italian co-productionsfilm receptionconventions |
| spellingShingle | Michel Chion Doublages, langues et voix en Europe Mise au Point dubbing sub-titles accents franco-italian co-productions film reception conventions |
| title | Doublages, langues et voix en Europe |
| title_full | Doublages, langues et voix en Europe |
| title_fullStr | Doublages, langues et voix en Europe |
| title_full_unstemmed | Doublages, langues et voix en Europe |
| title_short | Doublages, langues et voix en Europe |
| title_sort | doublages langues et voix en europe |
| topic | dubbing sub-titles accents franco-italian co-productions film reception conventions |
| url | https://journals.openedition.org/map/1345 |
| work_keys_str_mv | AT michelchion doublageslanguesetvoixeneurope |