Modernity and existence from a semiotic angle. The Voyeurism of the City in Struktura kryształu (1969), a film directed by Krzysztof Zanussi

Krzysztof Zanussi’s Struktura kryształu [The Structure of Crystals] is a film not only semiotically but also mythologically rich, in the context of myths as understood and proposed by Roland Barthes. The article explores the binary nature of the film’s symbolic layer, built upon the two distinct li...

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Bibliographic Details
Main Author: Marek Kaźmierczak
Format: Article
Language:English
Published: Adam Mickiewicz University Press 2019-01-01
Series:Images
Subjects:
Online Access:https://pressto.amu.edu.pl/index.php/i/article/view/17405
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Summary:Krzysztof Zanussi’s Struktura kryształu [The Structure of Crystals] is a film not only semiotically but also mythologically rich, in the context of myths as understood and proposed by Roland Barthes. The article explores the binary nature of the film’s symbolic layer, built upon the two distinct life realities: the metropolitan vs the rural, the prestige of an academic career vs the simplicity of a family life that the main characters chose for themselves.
ISSN:1731-450X
2720-040X