Les « méchantes » de la fiction criminelle édouardienne de L.T. Meade et Robert Eustace : Sympathy for the (she)devil ?

This article focuses on novels by children’s author L.T. Meade serialized in the English press at the end of the 19th century: the “villainesses” they portray constitute a feminized version of the archetypal villain of criminal fiction. Drawing on cultural studies and the theory of fictional immersi...

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Main Author: Charlotte Arnautou
Format: Article
Language:fra
Published: Université de Liège 2024-12-01
Series:Contextes
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Online Access:https://journals.openedition.org/contextes/12502
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author Charlotte Arnautou
author_facet Charlotte Arnautou
author_sort Charlotte Arnautou
collection DOAJ
description This article focuses on novels by children’s author L.T. Meade serialized in the English press at the end of the 19th century: the “villainesses” they portray constitute a feminized version of the archetypal villain of criminal fiction. Drawing on cultural studies and the theory of fictional immersion, this article highlights the way in which readers’ emotional involvement with these female characters at odds with the Patmorian ideal of the “angel in the house”, undermines the traditionally conservative values of detective fiction.
format Article
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institution Kabale University
issn 1783-094X
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publisher Université de Liège
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series Contextes
spelling doaj-art-6d4492ce874b4722bb4c51ab110786702025-01-10T14:15:43ZfraUniversité de LiègeContextes1783-094X2024-12-013510.4000/130elLes « méchantes » de la fiction criminelle édouardienne de L.T. Meade et Robert Eustace : Sympathy for the (she)devil ?Charlotte ArnautouThis article focuses on novels by children’s author L.T. Meade serialized in the English press at the end of the 19th century: the “villainesses” they portray constitute a feminized version of the archetypal villain of criminal fiction. Drawing on cultural studies and the theory of fictional immersion, this article highlights the way in which readers’ emotional involvement with these female characters at odds with the Patmorian ideal of the “angel in the house”, undermines the traditionally conservative values of detective fiction.https://journals.openedition.org/contextes/12502cultural studiesfiction theorymass culturepopular cultureaffective immersiongender studies
spellingShingle Charlotte Arnautou
Les « méchantes » de la fiction criminelle édouardienne de L.T. Meade et Robert Eustace : Sympathy for the (she)devil ?
Contextes
cultural studies
fiction theory
mass culture
popular culture
affective immersion
gender studies
title Les « méchantes » de la fiction criminelle édouardienne de L.T. Meade et Robert Eustace : Sympathy for the (she)devil ?
title_full Les « méchantes » de la fiction criminelle édouardienne de L.T. Meade et Robert Eustace : Sympathy for the (she)devil ?
title_fullStr Les « méchantes » de la fiction criminelle édouardienne de L.T. Meade et Robert Eustace : Sympathy for the (she)devil ?
title_full_unstemmed Les « méchantes » de la fiction criminelle édouardienne de L.T. Meade et Robert Eustace : Sympathy for the (she)devil ?
title_short Les « méchantes » de la fiction criminelle édouardienne de L.T. Meade et Robert Eustace : Sympathy for the (she)devil ?
title_sort les mechantes de la fiction criminelle edouardienne de l t meade et robert eustace sympathy for the she devil
topic cultural studies
fiction theory
mass culture
popular culture
affective immersion
gender studies
url https://journals.openedition.org/contextes/12502
work_keys_str_mv AT charlottearnautou lesmechantesdelafictioncriminelleedouardiennedeltmeadeetroberteustacesympathyfortheshedevil