The Mental Image of The City in Turkish Painting of The Metamodernism Era
In our time, special requirements are put forward for the creation of urban space. These requirements reflect the transformation processes of the city, which is a complex socio-cultural object included in the system of global connections. The design of urban space emerges as the primary reflection o...
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Istanbul University Press
2022-06-01
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| Series: | Sanat Tarihi Yıllığı |
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| Online Access: | https://cdn.istanbul.edu.tr/file/JTA6CLJ8T5/1F4B39E39B1C44D88A6BECAFDF92AA63 |
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| author | Artemenko Andrii Yaroslava Artemenko |
| author_facet | Artemenko Andrii Yaroslava Artemenko |
| author_sort | Artemenko Andrii |
| collection | DOAJ |
| description | In our time, special requirements are put forward for the creation of urban space. These requirements reflect the transformation processes of the city, which is a complex socio-cultural object included in the system of global connections. The design of urban space emerges as the primary reflection of the city and embodies an understanding of the city’s structure, functional use and aesthetic form. In H. Lefebvre terminology, space is created according to these concepts. The works of the artists, for whom the city has become an object of interest, take on a secondary reflection task. The reality of the modern city calls for the expression of its definition to be sought. This quest is clearly reflected in the works of Turkish artist Nuri Kuzucan. Nuri Kuzucan’s works from the two first decades of the 21st century, provide very clear data on how the ways of speaking about the city have changed. The artist's work on form in many respects repeats the search for artists of the last century. Kuzucan's creativity has three periods. Each of them corresponds to a new concept of the city at the beginning of the 21st century. In this article, it is aimed to examine the languages which are used to describe the urban culture in the beginning of the 20th century. The aim of the study, in which an interdisciplinary approach is used, is to examine the works of the contemporary Turkish artist, Nuri Kuzucan, which show the transformation process of urban culture in the paradigm of metamodernism. The methodological basis of the article is the semiotic analysis of the visual object. |
| format | Article |
| id | doaj-art-6d3a255f8ebb4ee1807bebab32ad1598 |
| institution | OA Journals |
| issn | 2717-6940 |
| language | deu |
| publishDate | 2022-06-01 |
| publisher | Istanbul University Press |
| record_format | Article |
| series | Sanat Tarihi Yıllığı |
| spelling | doaj-art-6d3a255f8ebb4ee1807bebab32ad15982025-08-20T02:14:22ZdeuIstanbul University PressSanat Tarihi Yıllığı2717-69402022-06-01318310810.26650/sty.2022.1057976123456The Mental Image of The City in Turkish Painting of The Metamodernism EraArtemenko Andrii0https://orcid.org/0000-0002-2445-5902Yaroslava Artemenko1https://orcid.org/0000-0002-9923-5322Kharkiv State Academy of Design and Art, Kharkiv, UkraineNational University of Pharmacy, Kharkiv, UkraineIn our time, special requirements are put forward for the creation of urban space. These requirements reflect the transformation processes of the city, which is a complex socio-cultural object included in the system of global connections. The design of urban space emerges as the primary reflection of the city and embodies an understanding of the city’s structure, functional use and aesthetic form. In H. Lefebvre terminology, space is created according to these concepts. The works of the artists, for whom the city has become an object of interest, take on a secondary reflection task. The reality of the modern city calls for the expression of its definition to be sought. This quest is clearly reflected in the works of Turkish artist Nuri Kuzucan. Nuri Kuzucan’s works from the two first decades of the 21st century, provide very clear data on how the ways of speaking about the city have changed. The artist's work on form in many respects repeats the search for artists of the last century. Kuzucan's creativity has three periods. Each of them corresponds to a new concept of the city at the beginning of the 21st century. In this article, it is aimed to examine the languages which are used to describe the urban culture in the beginning of the 20th century. The aim of the study, in which an interdisciplinary approach is used, is to examine the works of the contemporary Turkish artist, Nuri Kuzucan, which show the transformation process of urban culture in the paradigm of metamodernism. The methodological basis of the article is the semiotic analysis of the visual object.https://cdn.istanbul.edu.tr/file/JTA6CLJ8T5/1F4B39E39B1C44D88A6BECAFDF92AA63metamodernismaestheticsurban cultureurban spacenuri kuzucan |
| spellingShingle | Artemenko Andrii Yaroslava Artemenko The Mental Image of The City in Turkish Painting of The Metamodernism Era Sanat Tarihi Yıllığı metamodernism aesthetics urban culture urban space nuri kuzucan |
| title | The Mental Image of The City in Turkish Painting of The Metamodernism Era |
| title_full | The Mental Image of The City in Turkish Painting of The Metamodernism Era |
| title_fullStr | The Mental Image of The City in Turkish Painting of The Metamodernism Era |
| title_full_unstemmed | The Mental Image of The City in Turkish Painting of The Metamodernism Era |
| title_short | The Mental Image of The City in Turkish Painting of The Metamodernism Era |
| title_sort | mental image of the city in turkish painting of the metamodernism era |
| topic | metamodernism aesthetics urban culture urban space nuri kuzucan |
| url | https://cdn.istanbul.edu.tr/file/JTA6CLJ8T5/1F4B39E39B1C44D88A6BECAFDF92AA63 |
| work_keys_str_mv | AT artemenkoandrii thementalimageofthecityinturkishpaintingofthemetamodernismera AT yaroslavaartemenko thementalimageofthecityinturkishpaintingofthemetamodernismera AT artemenkoandrii mentalimageofthecityinturkishpaintingofthemetamodernismera AT yaroslavaartemenko mentalimageofthecityinturkishpaintingofthemetamodernismera |