ELEMENTS OF THE MUSICAL DISCOURSE IN “FUM (SMOKE)” BY DOINA ROTARU
The present study is an analysis of the work entitled Fum (Smoke), for clarinet solo, written by the Romanian composer Doina Rotaru in 1996 and dedicated to the clarinetist Emil Vişenescu. The study enhances the author’s preference for ancient musical archetypes, such as the aulodic timbral archety...
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| Format: | Article |
| Language: | English |
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Babeș-Bolyai University
2012-06-01
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| Series: | Studia Universitatis Babeş-Bolyai. Musica |
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| Online Access: | https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8873 |
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| author | Şerban MARCU |
| author_facet | Şerban MARCU |
| author_sort | Şerban MARCU |
| collection | DOAJ |
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The present study is an analysis of the work entitled Fum (Smoke), for clarinet solo, written by the Romanian composer Doina Rotaru in 1996 and dedicated to the clarinetist Emil Vişenescu. The study enhances the author’s preference for ancient musical archetypes, such as the aulodic timbral archetype, the archetype of suspended time, the archetype of the ornament or that of the glissando. We also highlight the articulation of musical discourse in relation to symbolic structural principles: circular or spiral shapes, sacred numbers. The structural analysis also emphasizes the continuous variation process, starting from a generative motive which includes almost all elements of language the work is based on: Rubato rhythm, chromaticism, Enescu’s “x” cell, glissando and appoggiatura.
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| format | Article |
| id | doaj-art-6cffe25d9d484d5bb1b4e4b773dce3d8 |
| institution | Kabale University |
| issn | 1844-4369 2065-9628 |
| language | English |
| publishDate | 2012-06-01 |
| publisher | Babeș-Bolyai University |
| record_format | Article |
| series | Studia Universitatis Babeş-Bolyai. Musica |
| spelling | doaj-art-6cffe25d9d484d5bb1b4e4b773dce3d82025-02-11T11:01:25ZengBabeș-Bolyai UniversityStudia Universitatis Babeş-Bolyai. Musica1844-43692065-96282012-06-01571ELEMENTS OF THE MUSICAL DISCOURSE IN “FUM (SMOKE)” BY DOINA ROTARUŞerban MARCU0Music Academy ”Gheorghe Dima” Cluj-Napoca, lecturer. E-mail: serbaan@yahoo.com The present study is an analysis of the work entitled Fum (Smoke), for clarinet solo, written by the Romanian composer Doina Rotaru in 1996 and dedicated to the clarinetist Emil Vişenescu. The study enhances the author’s preference for ancient musical archetypes, such as the aulodic timbral archetype, the archetype of suspended time, the archetype of the ornament or that of the glissando. We also highlight the articulation of musical discourse in relation to symbolic structural principles: circular or spiral shapes, sacred numbers. The structural analysis also emphasizes the continuous variation process, starting from a generative motive which includes almost all elements of language the work is based on: Rubato rhythm, chromaticism, Enescu’s “x” cell, glissando and appoggiatura. https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8873RotaruFumclarinetsoloanalysisstructural |
| spellingShingle | Şerban MARCU ELEMENTS OF THE MUSICAL DISCOURSE IN “FUM (SMOKE)” BY DOINA ROTARU Studia Universitatis Babeş-Bolyai. Musica Rotaru Fum clarinet solo analysis structural |
| title | ELEMENTS OF THE MUSICAL DISCOURSE IN “FUM (SMOKE)” BY DOINA ROTARU |
| title_full | ELEMENTS OF THE MUSICAL DISCOURSE IN “FUM (SMOKE)” BY DOINA ROTARU |
| title_fullStr | ELEMENTS OF THE MUSICAL DISCOURSE IN “FUM (SMOKE)” BY DOINA ROTARU |
| title_full_unstemmed | ELEMENTS OF THE MUSICAL DISCOURSE IN “FUM (SMOKE)” BY DOINA ROTARU |
| title_short | ELEMENTS OF THE MUSICAL DISCOURSE IN “FUM (SMOKE)” BY DOINA ROTARU |
| title_sort | elements of the musical discourse in fum smoke by doina rotaru |
| topic | Rotaru Fum clarinet solo analysis structural |
| url | https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8873 |
| work_keys_str_mv | AT serbanmarcu elementsofthemusicaldiscourseinfumsmokebydoinarotaru |