The aesthetic relationship between the intellectual and technical aspects in contemporary Iraqi painting
Every work of art must be composed of matter, which does not take on its characteristics until the artist deals with it. Therefore, the beauty of work of art is not limited the field of the subject matter that it represents, but rather is manifested in the core of the sensory appearance of the work...
Saved in:
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | Arabic |
| Published: |
College of Fine Arts / University of Baghdad
2024-12-01
|
| Series: | الاكاديمي |
| Subjects: | |
| Online Access: | https://jcofarts.uobaghdad.edu.iq/index.php/jcofarts/article/view/1520 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| _version_ | 1850193999778807808 |
|---|---|
| author | Fadia aqeel jabar ahmed |
| author_facet | Fadia aqeel jabar ahmed |
| author_sort | Fadia aqeel jabar ahmed |
| collection | DOAJ |
| description |
Every work of art must be composed of matter, which does not take on its characteristics until the artist deals with it. Therefore, the beauty of work of art is not limited the field of the subject matter that it represents, but rather is manifested in the core of the sensory appearance of the work of art and the self that overflows into it from what you possess intellectually give it aesthetics. Therefore, the researcher began study the aesthetic relationship between both the material and the thought process. The research consisted of four chapters: first (the general framework of the research): dealing with the presentation of the research problem, then the basics of the research framework of importance, purpose, and limits. chapter concluded by defining the terms. The second (theoretical framework and previous studies): which included three sections: The first: was devoted studying the concept of aesthetics in two fields: philosophy and artistic work. second section: It specialized in studying the intellectual and performance experience in art, while third section dealt with the intellectual and performance experience in contemporary Iraqi painting. After that, the indicators resulting from the theoretical framework were mentioned. third chapter (research procedures): consists of a research methodology, the research community, as well as selecting the research tool (observation) to achieve its goals. After that, the sample samples were analyzed according a philosophical vision with aesthetic dimensions. While fourth chapter included (results, conclusions, recommendations and proposals)
|
| format | Article |
| id | doaj-art-6ce291f7cdd44fd39beaf107f6b13a2b |
| institution | OA Journals |
| issn | 1819-5229 2523-2029 |
| language | Arabic |
| publishDate | 2024-12-01 |
| publisher | College of Fine Arts / University of Baghdad |
| record_format | Article |
| series | الاكاديمي |
| spelling | doaj-art-6ce291f7cdd44fd39beaf107f6b13a2b2025-08-20T02:14:06ZaraCollege of Fine Arts / University of Baghdadالاكاديمي1819-52292523-20292024-12-0111410.35560/jcofarts1520The aesthetic relationship between the intellectual and technical aspects in contemporary Iraqi paintingFadia aqeel jabar ahmed 0College of Fine Arts/ basrah university/ iraq Every work of art must be composed of matter, which does not take on its characteristics until the artist deals with it. Therefore, the beauty of work of art is not limited the field of the subject matter that it represents, but rather is manifested in the core of the sensory appearance of the work of art and the self that overflows into it from what you possess intellectually give it aesthetics. Therefore, the researcher began study the aesthetic relationship between both the material and the thought process. The research consisted of four chapters: first (the general framework of the research): dealing with the presentation of the research problem, then the basics of the research framework of importance, purpose, and limits. chapter concluded by defining the terms. The second (theoretical framework and previous studies): which included three sections: The first: was devoted studying the concept of aesthetics in two fields: philosophy and artistic work. second section: It specialized in studying the intellectual and performance experience in art, while third section dealt with the intellectual and performance experience in contemporary Iraqi painting. After that, the indicators resulting from the theoretical framework were mentioned. third chapter (research procedures): consists of a research methodology, the research community, as well as selecting the research tool (observation) to achieve its goals. After that, the sample samples were analyzed according a philosophical vision with aesthetic dimensions. While fourth chapter included (results, conclusions, recommendations and proposals) https://jcofarts.uobaghdad.edu.iq/index.php/jcofarts/article/view/1520The aesthetic relationship, thought, technology |
| spellingShingle | Fadia aqeel jabar ahmed The aesthetic relationship between the intellectual and technical aspects in contemporary Iraqi painting الاكاديمي The aesthetic relationship, thought, technology |
| title | The aesthetic relationship between the intellectual and technical aspects in contemporary Iraqi painting |
| title_full | The aesthetic relationship between the intellectual and technical aspects in contemporary Iraqi painting |
| title_fullStr | The aesthetic relationship between the intellectual and technical aspects in contemporary Iraqi painting |
| title_full_unstemmed | The aesthetic relationship between the intellectual and technical aspects in contemporary Iraqi painting |
| title_short | The aesthetic relationship between the intellectual and technical aspects in contemporary Iraqi painting |
| title_sort | aesthetic relationship between the intellectual and technical aspects in contemporary iraqi painting |
| topic | The aesthetic relationship, thought, technology |
| url | https://jcofarts.uobaghdad.edu.iq/index.php/jcofarts/article/view/1520 |
| work_keys_str_mv | AT fadiaaqeeljabarahmed theaestheticrelationshipbetweentheintellectualandtechnicalaspectsincontemporaryiraqipainting AT fadiaaqeeljabarahmed aestheticrelationshipbetweentheintellectualandtechnicalaspectsincontemporaryiraqipainting |