Ecphrasies of the Petersburg Buddhist temple in the poetry of Elena Schwartz

The purpose to analyze the features and functions of temple ecphrasies in the poetry of E.A. Schwartz. The poems The Seven Faces of the Buddhist Temple and The Buddhist Temple are used as material, which are based on the image of the Petersburg Buddhist religious building Datsan Gunzechoinei. This t...

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Main Author: Leonid V. Dubakov
Format: Article
Language:English
Published: Peoples’ Friendship University of Russia (RUDN University) 2024-12-01
Series:RUDN Journal of Studies in Literature and Journalism
Subjects:
Online Access:https://journals.rudn.ru/literary-criticism/article/viewFile/42293/24345
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author Leonid V. Dubakov
author_facet Leonid V. Dubakov
author_sort Leonid V. Dubakov
collection DOAJ
description The purpose to analyze the features and functions of temple ecphrasies in the poetry of E.A. Schwartz. The poems The Seven Faces of the Buddhist Temple and The Buddhist Temple are used as material, which are based on the image of the Petersburg Buddhist religious building Datsan Gunzechoinei. This topic has not previously been in the center of attention of Russian literary criticism, which determines the novelty of the presented article. Separately, it should be noted that the analysis of temple ecphrasies in the poetry of E.A. Schwartz is carried out as part of a large-scale study devoted to the study of the Buddhist text of modern Russian literature. As a result of the analysis, the author of the article comes to the following conclusions. The ecphrasies of the Petersburg Buddhist Temple in the poetry of E.A. Schwartz are based on the description of the exterior and interior of the datsan and transformed into philosophical and religious works. The poetic ecumenism of Schwartz’s work determines the image of a Buddhist temple in the form of a sacred space - in a city experiencing infernal apocalyptic desolation, flooding, and overshadowing by everyday care. The Buddhist temple, which is unusual for the Northern capital and, however, is similar to it - externally and essentially, acts as one of the centers of attraction for different cultures, gods and living and dead creatures living in a cramped and diverse city. The Petersburg/ Leningrad Buddhist temple, like the religious buildings of other religions, gives a person the opportunity to come into contact with the transcendent, the image of which is embodied in Schwartz in the heavenly heights or in the bottomless depths of the river.
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spelling doaj-art-6c39dd6248d44903a6131f9229c5fbbf2025-01-09T07:50:12ZengPeoples’ Friendship University of Russia (RUDN University)RUDN Journal of Studies in Literature and Journalism2312-92202312-92472024-12-0129473874610.22363/2312-9220-2024-29-4-738-74621095Ecphrasies of the Petersburg Buddhist temple in the poetry of Elena SchwartzLeonid V. Dubakov0https://orcid.org/0000-0003-1172-7435International University Park RoadThe purpose to analyze the features and functions of temple ecphrasies in the poetry of E.A. Schwartz. The poems The Seven Faces of the Buddhist Temple and The Buddhist Temple are used as material, which are based on the image of the Petersburg Buddhist religious building Datsan Gunzechoinei. This topic has not previously been in the center of attention of Russian literary criticism, which determines the novelty of the presented article. Separately, it should be noted that the analysis of temple ecphrasies in the poetry of E.A. Schwartz is carried out as part of a large-scale study devoted to the study of the Buddhist text of modern Russian literature. As a result of the analysis, the author of the article comes to the following conclusions. The ecphrasies of the Petersburg Buddhist Temple in the poetry of E.A. Schwartz are based on the description of the exterior and interior of the datsan and transformed into philosophical and religious works. The poetic ecumenism of Schwartz’s work determines the image of a Buddhist temple in the form of a sacred space - in a city experiencing infernal apocalyptic desolation, flooding, and overshadowing by everyday care. The Buddhist temple, which is unusual for the Northern capital and, however, is similar to it - externally and essentially, acts as one of the centers of attraction for different cultures, gods and living and dead creatures living in a cramped and diverse city. The Petersburg/ Leningrad Buddhist temple, like the religious buildings of other religions, gives a person the opportunity to come into contact with the transcendent, the image of which is embodied in Schwartz in the heavenly heights or in the bottomless depths of the river.https://journals.rudn.ru/literary-criticism/article/viewFile/42293/24345ecphrasisreligionbuddhismecumenismtempledatsan gunzechoineitranscendental
spellingShingle Leonid V. Dubakov
Ecphrasies of the Petersburg Buddhist temple in the poetry of Elena Schwartz
RUDN Journal of Studies in Literature and Journalism
ecphrasis
religion
buddhism
ecumenism
temple
datsan gunzechoinei
transcendental
title Ecphrasies of the Petersburg Buddhist temple in the poetry of Elena Schwartz
title_full Ecphrasies of the Petersburg Buddhist temple in the poetry of Elena Schwartz
title_fullStr Ecphrasies of the Petersburg Buddhist temple in the poetry of Elena Schwartz
title_full_unstemmed Ecphrasies of the Petersburg Buddhist temple in the poetry of Elena Schwartz
title_short Ecphrasies of the Petersburg Buddhist temple in the poetry of Elena Schwartz
title_sort ecphrasies of the petersburg buddhist temple in the poetry of elena schwartz
topic ecphrasis
religion
buddhism
ecumenism
temple
datsan gunzechoinei
transcendental
url https://journals.rudn.ru/literary-criticism/article/viewFile/42293/24345
work_keys_str_mv AT leonidvdubakov ecphrasiesofthepetersburgbuddhisttempleinthepoetryofelenaschwartz