¿Musulmán o judío? La imagen interconectada del «otro» en la Corona de Aragón (ca. 1390-ca. 1450)
The historiography on religious otherness in art has analysed separately the Muslim signs and those of the Jew, as if this differentiation was due to an iconographical classification already conceived by medieval societies. However, it is known that certain artworks cannot adapt to an epistemologica...
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| Format: | Article |
| Language: | Spanish |
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Casa de Velázquez
2024-11-01
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| Series: | Mélanges de la Casa de Velázquez |
| Subjects: | |
| Online Access: | https://journals.openedition.org/mcv/22465 |
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