Presencia de lo judío en la poesía argentina contemporánea

This article is composed of the analysis of a corpus of 21st century poetry collections published by Argentinian female authors born around the 1950s and embracing their Jewish inheritance in their stories: Tamara Kamenszain’s El ghetto (2003), Mercedes Roffé’s Canto errante y Memorial de agravios (...

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Main Author: Geneviève Fabry
Format: Article
Language:Spanish
Published: Réseau Interuniversitaire d'Ètude des Littératures Contemporaines du Río de la Plata 2019-01-01
Series:Cuadernos LIRICO
Subjects:
Online Access:https://journals.openedition.org/lirico/6529
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author Geneviève Fabry
author_facet Geneviève Fabry
author_sort Geneviève Fabry
collection DOAJ
description This article is composed of the analysis of a corpus of 21st century poetry collections published by Argentinian female authors born around the 1950s and embracing their Jewish inheritance in their stories: Tamara Kamenszain’s El ghetto (2003), Mercedes Roffé’s Canto errante y Memorial de agravios (2002) and Liliana Lukin’s Ética demostrada según el orden poético (2011). What is at stake is to be able to determine which facets of the Jewish identity this poetry embodies : either religious, cultural or sensible ones ? In these collections under study, the act of writing through the remembrance of a cultural and religious Jewish inheritance is repeated so as to invite oneself to embrace and to reflect upon these lyrical topics.
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institution Kabale University
issn 2262-8339
language Spanish
publishDate 2019-01-01
publisher Réseau Interuniversitaire d'Ètude des Littératures Contemporaines du Río de la Plata
record_format Article
series Cuadernos LIRICO
spelling doaj-art-6a657ed0a3d54ca7b87b9550a209bf3c2025-01-10T13:07:31ZspaRéseau Interuniversitaire d'Ètude des Littératures Contemporaines du Río de la PlataCuadernos LIRICO2262-83392019-01-011910.4000/lirico.6529Presencia de lo judío en la poesía argentina contemporáneaGeneviève FabryThis article is composed of the analysis of a corpus of 21st century poetry collections published by Argentinian female authors born around the 1950s and embracing their Jewish inheritance in their stories: Tamara Kamenszain’s El ghetto (2003), Mercedes Roffé’s Canto errante y Memorial de agravios (2002) and Liliana Lukin’s Ética demostrada según el orden poético (2011). What is at stake is to be able to determine which facets of the Jewish identity this poetry embodies : either religious, cultural or sensible ones ? In these collections under study, the act of writing through the remembrance of a cultural and religious Jewish inheritance is repeated so as to invite oneself to embrace and to reflect upon these lyrical topics.https://journals.openedition.org/lirico/6529PoetryidentityJewishrejectionArgentina.
spellingShingle Geneviève Fabry
Presencia de lo judío en la poesía argentina contemporánea
Cuadernos LIRICO
Poetry
identity
Jewish
rejection
Argentina.
title Presencia de lo judío en la poesía argentina contemporánea
title_full Presencia de lo judío en la poesía argentina contemporánea
title_fullStr Presencia de lo judío en la poesía argentina contemporánea
title_full_unstemmed Presencia de lo judío en la poesía argentina contemporánea
title_short Presencia de lo judío en la poesía argentina contemporánea
title_sort presencia de lo judio en la poesia argentina contemporanea
topic Poetry
identity
Jewish
rejection
Argentina.
url https://journals.openedition.org/lirico/6529
work_keys_str_mv AT genevievefabry presenciadelojudioenlapoesiaargentinacontemporanea