Épistémologie sculpturale, extraction et volume d’être
The authors offer an exercise in sculptural epistemology, by comparing various types of sculpture, giving a special place to The Age of Bronze, which Rodin saw as a specific experiment. In attempting this exercise, they present The Age of Bronze as a radical extraction, unlike reliefs and most sculp...
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| Format: | Article |
| Language: | fra |
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Laboratoire d'Ethnologie et de Sociologie Comparative
2024-12-01
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| Series: | Ateliers d'Anthropologie |
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| Online Access: | https://journals.openedition.org/ateliers/18510 |
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| author | Catherine Beaugrand Albert Piette |
| author_facet | Catherine Beaugrand Albert Piette |
| author_sort | Catherine Beaugrand |
| collection | DOAJ |
| description | The authors offer an exercise in sculptural epistemology, by comparing various types of sculpture, giving a special place to The Age of Bronze, which Rodin saw as a specific experiment. In attempting this exercise, they present The Age of Bronze as a radical extraction, unlike reliefs and most sculptures in the round conceived in relation to a space. The notion of form, linked with that of volume of being, is used to clarify how Rodin’s sculpture corresponds to a human being. In such a sculpture in the round, the “supports” holding it upright are important. They help us think about how human beings “hold up”, how they remain stable, despite their movement. |
| format | Article |
| id | doaj-art-69ce1ab759054b10b7ee147aeccd8720 |
| institution | Kabale University |
| issn | 2117-3869 |
| language | fra |
| publishDate | 2024-12-01 |
| publisher | Laboratoire d'Ethnologie et de Sociologie Comparative |
| record_format | Article |
| series | Ateliers d'Anthropologie |
| spelling | doaj-art-69ce1ab759054b10b7ee147aeccd87202025-01-30T13:42:42ZfraLaboratoire d'Ethnologie et de Sociologie ComparativeAteliers d'Anthropologie2117-38692024-12-015410.4000/12yzzÉpistémologie sculpturale, extraction et volume d’êtreCatherine BeaugrandAlbert PietteThe authors offer an exercise in sculptural epistemology, by comparing various types of sculpture, giving a special place to The Age of Bronze, which Rodin saw as a specific experiment. In attempting this exercise, they present The Age of Bronze as a radical extraction, unlike reliefs and most sculptures in the round conceived in relation to a space. The notion of form, linked with that of volume of being, is used to clarify how Rodin’s sculpture corresponds to a human being. In such a sculpture in the round, the “supports” holding it upright are important. They help us think about how human beings “hold up”, how they remain stable, despite their movement.https://journals.openedition.org/ateliers/18510relationformFranceanthropologymovementcontext |
| spellingShingle | Catherine Beaugrand Albert Piette Épistémologie sculpturale, extraction et volume d’être Ateliers d'Anthropologie relation form France anthropology movement context |
| title | Épistémologie sculpturale, extraction et volume d’être |
| title_full | Épistémologie sculpturale, extraction et volume d’être |
| title_fullStr | Épistémologie sculpturale, extraction et volume d’être |
| title_full_unstemmed | Épistémologie sculpturale, extraction et volume d’être |
| title_short | Épistémologie sculpturale, extraction et volume d’être |
| title_sort | epistemologie sculpturale extraction et volume d etre |
| topic | relation form France anthropology movement context |
| url | https://journals.openedition.org/ateliers/18510 |
| work_keys_str_mv | AT catherinebeaugrand epistemologiesculpturaleextractionetvolumedetre AT albertpiette epistemologiesculpturaleextractionetvolumedetre |