Language, translation, and the Irish Theatre Diaspora in Quebec

This article argues for the inclusion of contemporary Québécois translations of twentieth-century Irish plays as part of the Irish theatrical diaspora. The presence of an Irish diaspora in North America was mainly the result of massive waves of immigration, in large part due to the Great Famine, pea...

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Main Author: Aileen R. Ruane
Format: Article
Language:English
Published: Universidade Federal de Santa Catarina 2020-05-01
Series:Ilha do Desterro
Online Access:https://periodicos.ufsc.br/index.php/desterro/article/view/71057
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author Aileen R. Ruane
author_facet Aileen R. Ruane
author_sort Aileen R. Ruane
collection DOAJ
description This article argues for the inclusion of contemporary Québécois translations of twentieth-century Irish plays as part of the Irish theatrical diaspora. The presence of an Irish diaspora in North America was mainly the result of massive waves of immigration, in large part due to the Great Famine, peaking during the mid-nineteenth century before gradually abating. This diaspora in Quebec has resisted full linguistic assimilation, yet was also integrated into many aspects of its culture, a fact that was facilitated by similar political, religious, and even linguistic parallels and elements. Interest in Irish culture, especially in its theatrical output, remains high, with many theatre companies in the province commissioning seasons based on Celtic Tiger-era dramas, translated by Québécois playwrights who also happen to be translators. In tracing and analysing the reason for this interest, despite diminished recent immigration, this article provides the basis for continued research into the performative force of proactive translations across varying diasporic traditions.
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spelling doaj-art-69b6a1ff08cc4956871e5a2e1ce50e032025-08-20T03:08:37ZengUniversidade Federal de Santa CatarinaIlha do Desterro0101-48462175-80262020-05-0173210.5007/2175-8026.2020v73n2p6334121Language, translation, and the Irish Theatre Diaspora in QuebecAileen R. Ruane0https://orcid.org/0000-0001-5361-3669Université Laval, Université ConcordiaThis article argues for the inclusion of contemporary Québécois translations of twentieth-century Irish plays as part of the Irish theatrical diaspora. The presence of an Irish diaspora in North America was mainly the result of massive waves of immigration, in large part due to the Great Famine, peaking during the mid-nineteenth century before gradually abating. This diaspora in Quebec has resisted full linguistic assimilation, yet was also integrated into many aspects of its culture, a fact that was facilitated by similar political, religious, and even linguistic parallels and elements. Interest in Irish culture, especially in its theatrical output, remains high, with many theatre companies in the province commissioning seasons based on Celtic Tiger-era dramas, translated by Québécois playwrights who also happen to be translators. In tracing and analysing the reason for this interest, despite diminished recent immigration, this article provides the basis for continued research into the performative force of proactive translations across varying diasporic traditions.https://periodicos.ufsc.br/index.php/desterro/article/view/71057
spellingShingle Aileen R. Ruane
Language, translation, and the Irish Theatre Diaspora in Quebec
Ilha do Desterro
title Language, translation, and the Irish Theatre Diaspora in Quebec
title_full Language, translation, and the Irish Theatre Diaspora in Quebec
title_fullStr Language, translation, and the Irish Theatre Diaspora in Quebec
title_full_unstemmed Language, translation, and the Irish Theatre Diaspora in Quebec
title_short Language, translation, and the Irish Theatre Diaspora in Quebec
title_sort language translation and the irish theatre diaspora in quebec
url https://periodicos.ufsc.br/index.php/desterro/article/view/71057
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