Distance et proximité

For many years, Sébastien Calvet was a Socialist Party supporter, before moving on in 2012 to follow François Hollande's election campaign for Libération, a French daily. Working as a political photo journalist goes well beyond taking pictures, however. combining periods of uncertainty with pha...

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Main Author: François Cardi
Format: Article
Language:fra
Published: La Nouvelle Revue du Travail 2019-11-01
Series:La Nouvelle Revue du Travail
Subjects:
Online Access:https://journals.openedition.org/nrt/5513
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author François Cardi
author_facet François Cardi
author_sort François Cardi
collection DOAJ
description For many years, Sébastien Calvet was a Socialist Party supporter, before moving on in 2012 to follow François Hollande's election campaign for Libération, a French daily. Working as a political photo journalist goes well beyond taking pictures, however. combining periods of uncertainty with phases of negotiation and moments of improvisation. Calvet would need to demonstrate photographic talent along with a sense of power relationships and responsive intuition. In the end, his work involved social practice as much as the art of photography, with anticipation becoming as important as information and editorial logic often overriding any photographic intention.
format Article
id doaj-art-68e9e240358940f98e40c09352857cd4
institution DOAJ
issn 2263-8989
language fra
publishDate 2019-11-01
publisher La Nouvelle Revue du Travail
record_format Article
series La Nouvelle Revue du Travail
spelling doaj-art-68e9e240358940f98e40c09352857cd42025-08-20T03:07:24ZfraLa Nouvelle Revue du TravailLa Nouvelle Revue du Travail2263-89892019-11-011510.4000/nrt.5513Distance et proximitéFrançois CardiFor many years, Sébastien Calvet was a Socialist Party supporter, before moving on in 2012 to follow François Hollande's election campaign for Libération, a French daily. Working as a political photo journalist goes well beyond taking pictures, however. combining periods of uncertainty with phases of negotiation and moments of improvisation. Calvet would need to demonstrate photographic talent along with a sense of power relationships and responsive intuition. In the end, his work involved social practice as much as the art of photography, with anticipation becoming as important as information and editorial logic often overriding any photographic intention.https://journals.openedition.org/nrt/5513negotiationphotographyuncertaintypressdistanceproximity
spellingShingle François Cardi
Distance et proximité
La Nouvelle Revue du Travail
negotiation
photography
uncertainty
press
distance
proximity
title Distance et proximité
title_full Distance et proximité
title_fullStr Distance et proximité
title_full_unstemmed Distance et proximité
title_short Distance et proximité
title_sort distance et proximite
topic negotiation
photography
uncertainty
press
distance
proximity
url https://journals.openedition.org/nrt/5513
work_keys_str_mv AT francoiscardi distanceetproximite