Między kosmopolityzmem a nazizmem – konteksty przestrzeni symbolicznych czterech filmów nakręconych przez niemieckiego operatora Franza Weihmayra
The paper is a comparative analysis of the circumstances influencing symbolic spaces in four movies by Franz Weihmayr in the years 1931–1942: Dzikie Pola [Wild Fields], Halutzim, La Habanera and The Great Love. The analysis allows for delineating the development of the German cinematographer Franz...
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Adam Mickiewicz University Press
2020-12-01
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| Series: | Images |
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| Online Access: | https://pressto.amu.edu.pl/index.php/i/article/view/27377 |
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| author | Daria Mazur |
| author_facet | Daria Mazur |
| author_sort | Daria Mazur |
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The paper is a comparative analysis of the circumstances influencing symbolic spaces in four movies by Franz Weihmayr in the years 1931–1942: Dzikie Pola [Wild Fields], Halutzim, La Habanera and The Great Love. The analysis allows for delineating the development of the German cinematographer Franz Weihmayr’s career, which, in the context of historical-political and ideological-artistic circumstances, can serve as an example of a broader phenomenon: a particular fluctuation of choices made by German cinematographers over the Weimar, Nazi, and post-war periods. This analysis is of pioneering importance because of the paucity of publication heretofore dedicated to Weihmayr’s works, who at the time worked together with, among others, Leni Riefenstahl, Frank Wysbar, and Hans Detlef Sierck, as well as Polish directors, such as Józef Lejtes and Aleksander Ford. The framework for semiotic analyses of the symbolic spaces of the movies mentioned above are two groups of contexts connected with ideas stemming from contradictory bases: the idea of cosmopolitism and the idea of Nazism.
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| format | Article |
| id | doaj-art-681620a676fb43f68415af2c58e92d3b |
| institution | OA Journals |
| issn | 1731-450X 2720-040X |
| language | English |
| publishDate | 2020-12-01 |
| publisher | Adam Mickiewicz University Press |
| record_format | Article |
| series | Images |
| spelling | doaj-art-681620a676fb43f68415af2c58e92d3b2025-08-20T02:16:21ZengAdam Mickiewicz University PressImages1731-450X2720-040X2020-12-01273610.14746/i.2020.36.02Między kosmopolityzmem a nazizmem – konteksty przestrzeni symbolicznych czterech filmów nakręconych przez niemieckiego operatora Franza WeihmayraDaria Mazur0https://orcid.org/0000-0003-1096-6338Uniwersytet Kazimierza Wielkiego w Bydgoszczy, Instytut Nauk o Kulturze i Religii The paper is a comparative analysis of the circumstances influencing symbolic spaces in four movies by Franz Weihmayr in the years 1931–1942: Dzikie Pola [Wild Fields], Halutzim, La Habanera and The Great Love. The analysis allows for delineating the development of the German cinematographer Franz Weihmayr’s career, which, in the context of historical-political and ideological-artistic circumstances, can serve as an example of a broader phenomenon: a particular fluctuation of choices made by German cinematographers over the Weimar, Nazi, and post-war periods. This analysis is of pioneering importance because of the paucity of publication heretofore dedicated to Weihmayr’s works, who at the time worked together with, among others, Leni Riefenstahl, Frank Wysbar, and Hans Detlef Sierck, as well as Polish directors, such as Józef Lejtes and Aleksander Ford. The framework for semiotic analyses of the symbolic spaces of the movies mentioned above are two groups of contexts connected with ideas stemming from contradictory bases: the idea of cosmopolitism and the idea of Nazism. https://pressto.amu.edu.pl/index.php/i/article/view/27377symbolic spacecosmopolitismnazizmcinema of nazi GermanyGerman cinematographersPolish cinema of 1930s |
| spellingShingle | Daria Mazur Między kosmopolityzmem a nazizmem – konteksty przestrzeni symbolicznych czterech filmów nakręconych przez niemieckiego operatora Franza Weihmayra Images symbolic space cosmopolitism nazizm cinema of nazi Germany German cinematographers Polish cinema of 1930s |
| title | Między kosmopolityzmem a nazizmem – konteksty przestrzeni symbolicznych czterech filmów nakręconych przez niemieckiego operatora Franza Weihmayra |
| title_full | Między kosmopolityzmem a nazizmem – konteksty przestrzeni symbolicznych czterech filmów nakręconych przez niemieckiego operatora Franza Weihmayra |
| title_fullStr | Między kosmopolityzmem a nazizmem – konteksty przestrzeni symbolicznych czterech filmów nakręconych przez niemieckiego operatora Franza Weihmayra |
| title_full_unstemmed | Między kosmopolityzmem a nazizmem – konteksty przestrzeni symbolicznych czterech filmów nakręconych przez niemieckiego operatora Franza Weihmayra |
| title_short | Między kosmopolityzmem a nazizmem – konteksty przestrzeni symbolicznych czterech filmów nakręconych przez niemieckiego operatora Franza Weihmayra |
| title_sort | miedzy kosmopolityzmem a nazizmem konteksty przestrzeni symbolicznych czterech filmow nakreconych przez niemieckiego operatora franza weihmayra |
| topic | symbolic space cosmopolitism nazizm cinema of nazi Germany German cinematographers Polish cinema of 1930s |
| url | https://pressto.amu.edu.pl/index.php/i/article/view/27377 |
| work_keys_str_mv | AT dariamazur miedzykosmopolityzmemanazizmemkontekstyprzestrzenisymbolicznychczterechfilmownakreconychprzezniemieckiegooperatorafranzaweihmayra |