THE TONAL AND THE INSTRUMENTAL SYMBOLISM IN “MAGNIFICAT” (BWV 243), D MAJOR, OF J. S. BACH

The present study constitutes the synthesis of a detailed analysis of the musical work “Magnificat”, BWV 243, in D major, by J. S. Bach, published in book form in 2008, at the Cluj University Press publishing house in 2008. The analysis was carried out starting from the details to the whole, in eac...

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Main Author: Gabriela Coca
Format: Article
Language:English
Published: Babeș-Bolyai University 2013-12-01
Series:Studia Universitatis Babeş-Bolyai. Musica
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Online Access:https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8859
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author Gabriela Coca
author_facet Gabriela Coca
author_sort Gabriela Coca
collection DOAJ
description The present study constitutes the synthesis of a detailed analysis of the musical work “Magnificat”, BWV 243, in D major, by J. S. Bach, published in book form in 2008, at the Cluj University Press publishing house in 2008. The analysis was carried out starting from the details to the whole, in each of the 12 parts, view on the following aspects: the text, the orchestral ensemble, the shape, the tonal structure, and the instrumentation. Each part attached as an Annex the coloristic spectrum of tonal-instrumental structure of hers. The synthesis of the analysis of this study presents conclusive, the full text of its historical datas, the dramaturgy of the form, the power centers, the relevance of the power centers in the poetic text, the dramaturgical dosing of the poetic text, the dramaturgy of the tonalities, the dramaturgy of the instruments using, and aspects of the illustrative program in music. The analysis is an original one, and not based on bibliographic processing.
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series Studia Universitatis Babeş-Bolyai. Musica
spelling doaj-art-66fdb349c6974c6184af025c5ccc64702025-02-11T11:01:06ZengBabeș-Bolyai UniversityStudia Universitatis Babeş-Bolyai. Musica1844-43692065-96282013-12-01582THE TONAL AND THE INSTRUMENTAL SYMBOLISM IN “MAGNIFICAT” (BWV 243), D MAJOR, OF J. S. BACHGabriela Coca0https://orcid.org/0000-0002-9103-186XBabeş-Bolyai University, Cluj-Napoca, Romania, Reformed Theology and Musical Pedagogy Department. E-mail: gabriela.coca.66@gmail.com The present study constitutes the synthesis of a detailed analysis of the musical work “Magnificat”, BWV 243, in D major, by J. S. Bach, published in book form in 2008, at the Cluj University Press publishing house in 2008. The analysis was carried out starting from the details to the whole, in each of the 12 parts, view on the following aspects: the text, the orchestral ensemble, the shape, the tonal structure, and the instrumentation. Each part attached as an Annex the coloristic spectrum of tonal-instrumental structure of hers. The synthesis of the analysis of this study presents conclusive, the full text of its historical datas, the dramaturgy of the form, the power centers, the relevance of the power centers in the poetic text, the dramaturgical dosing of the poetic text, the dramaturgy of the tonalities, the dramaturgy of the instruments using, and aspects of the illustrative program in music. The analysis is an original one, and not based on bibliographic processing. https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8859J. S. BachMagnificatanalysistextdramaturgycoloristic spectrum
spellingShingle Gabriela Coca
THE TONAL AND THE INSTRUMENTAL SYMBOLISM IN “MAGNIFICAT” (BWV 243), D MAJOR, OF J. S. BACH
Studia Universitatis Babeş-Bolyai. Musica
J. S. Bach
Magnificat
analysis
text
dramaturgy
coloristic spectrum
title THE TONAL AND THE INSTRUMENTAL SYMBOLISM IN “MAGNIFICAT” (BWV 243), D MAJOR, OF J. S. BACH
title_full THE TONAL AND THE INSTRUMENTAL SYMBOLISM IN “MAGNIFICAT” (BWV 243), D MAJOR, OF J. S. BACH
title_fullStr THE TONAL AND THE INSTRUMENTAL SYMBOLISM IN “MAGNIFICAT” (BWV 243), D MAJOR, OF J. S. BACH
title_full_unstemmed THE TONAL AND THE INSTRUMENTAL SYMBOLISM IN “MAGNIFICAT” (BWV 243), D MAJOR, OF J. S. BACH
title_short THE TONAL AND THE INSTRUMENTAL SYMBOLISM IN “MAGNIFICAT” (BWV 243), D MAJOR, OF J. S. BACH
title_sort tonal and the instrumental symbolism in magnificat bwv 243 d major of j s bach
topic J. S. Bach
Magnificat
analysis
text
dramaturgy
coloristic spectrum
url https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8859
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