THE TONAL AND THE INSTRUMENTAL SYMBOLISM IN “MAGNIFICAT” (BWV 243), D MAJOR, OF J. S. BACH
The present study constitutes the synthesis of a detailed analysis of the musical work “Magnificat”, BWV 243, in D major, by J. S. Bach, published in book form in 2008, at the Cluj University Press publishing house in 2008. The analysis was carried out starting from the details to the whole, in eac...
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Babeș-Bolyai University
2013-12-01
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Series: | Studia Universitatis Babeş-Bolyai. Musica |
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Online Access: | https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8859 |
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author | Gabriela Coca |
author_facet | Gabriela Coca |
author_sort | Gabriela Coca |
collection | DOAJ |
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The present study constitutes the synthesis of a detailed analysis of the musical work “Magnificat”, BWV 243, in D major, by J. S. Bach, published in book form in 2008, at the Cluj University Press publishing house in 2008. The analysis was carried out starting from the details to the whole, in each of the 12 parts, view on the following aspects: the text, the orchestral ensemble, the shape, the tonal structure, and the instrumentation. Each part attached as an Annex the coloristic spectrum of tonal-instrumental structure of hers. The synthesis of the analysis of this study presents conclusive, the full text of its historical datas, the dramaturgy of the form, the power centers, the relevance of the power centers in the poetic text, the dramaturgical dosing of the poetic text, the dramaturgy of the tonalities, the dramaturgy of the instruments using, and aspects of the illustrative program in music. The analysis is an original one, and not based on bibliographic processing.
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format | Article |
id | doaj-art-66fdb349c6974c6184af025c5ccc6470 |
institution | Kabale University |
issn | 1844-4369 2065-9628 |
language | English |
publishDate | 2013-12-01 |
publisher | Babeș-Bolyai University |
record_format | Article |
series | Studia Universitatis Babeş-Bolyai. Musica |
spelling | doaj-art-66fdb349c6974c6184af025c5ccc64702025-02-11T11:01:06ZengBabeș-Bolyai UniversityStudia Universitatis Babeş-Bolyai. Musica1844-43692065-96282013-12-01582THE TONAL AND THE INSTRUMENTAL SYMBOLISM IN “MAGNIFICAT” (BWV 243), D MAJOR, OF J. S. BACHGabriela Coca0https://orcid.org/0000-0002-9103-186XBabeş-Bolyai University, Cluj-Napoca, Romania, Reformed Theology and Musical Pedagogy Department. E-mail: gabriela.coca.66@gmail.com The present study constitutes the synthesis of a detailed analysis of the musical work “Magnificat”, BWV 243, in D major, by J. S. Bach, published in book form in 2008, at the Cluj University Press publishing house in 2008. The analysis was carried out starting from the details to the whole, in each of the 12 parts, view on the following aspects: the text, the orchestral ensemble, the shape, the tonal structure, and the instrumentation. Each part attached as an Annex the coloristic spectrum of tonal-instrumental structure of hers. The synthesis of the analysis of this study presents conclusive, the full text of its historical datas, the dramaturgy of the form, the power centers, the relevance of the power centers in the poetic text, the dramaturgical dosing of the poetic text, the dramaturgy of the tonalities, the dramaturgy of the instruments using, and aspects of the illustrative program in music. The analysis is an original one, and not based on bibliographic processing. https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8859J. S. BachMagnificatanalysistextdramaturgycoloristic spectrum |
spellingShingle | Gabriela Coca THE TONAL AND THE INSTRUMENTAL SYMBOLISM IN “MAGNIFICAT” (BWV 243), D MAJOR, OF J. S. BACH Studia Universitatis Babeş-Bolyai. Musica J. S. Bach Magnificat analysis text dramaturgy coloristic spectrum |
title | THE TONAL AND THE INSTRUMENTAL SYMBOLISM IN “MAGNIFICAT” (BWV 243), D MAJOR, OF J. S. BACH |
title_full | THE TONAL AND THE INSTRUMENTAL SYMBOLISM IN “MAGNIFICAT” (BWV 243), D MAJOR, OF J. S. BACH |
title_fullStr | THE TONAL AND THE INSTRUMENTAL SYMBOLISM IN “MAGNIFICAT” (BWV 243), D MAJOR, OF J. S. BACH |
title_full_unstemmed | THE TONAL AND THE INSTRUMENTAL SYMBOLISM IN “MAGNIFICAT” (BWV 243), D MAJOR, OF J. S. BACH |
title_short | THE TONAL AND THE INSTRUMENTAL SYMBOLISM IN “MAGNIFICAT” (BWV 243), D MAJOR, OF J. S. BACH |
title_sort | tonal and the instrumental symbolism in magnificat bwv 243 d major of j s bach |
topic | J. S. Bach Magnificat analysis text dramaturgy coloristic spectrum |
url | https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8859 |
work_keys_str_mv | AT gabrielacoca thetonalandtheinstrumentalsymbolisminmagnificatbwv243dmajorofjsbach AT gabrielacoca tonalandtheinstrumentalsymbolisminmagnificatbwv243dmajorofjsbach |