Harriet Prescott Spofford’s Development of a Protestant Aesthetic for a Diverse Nation
In “Charlestown,” an historical sketch from her 1871 collection New-England Legends, Harriet Prescott Spofford examines the contest between Protestantism and Roman Catholicism that shaped Americans’ understanding of democracy as well as Spofford’s understanding of her role as an author in an increas...
Saved in:
Main Author: | Paula Kot |
---|---|
Format: | Article |
Language: | English |
Published: |
European Association for American Studies
2019-10-01
|
Series: | European Journal of American Studies |
Subjects: | |
Online Access: | https://journals.openedition.org/ejas/14895 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Introduction. Harriet Prescott Spofford: The Home, the Nation, and the Wilderness
by: Stéphanie Durrans
Published: (2019-10-01) -
Narrating Violation: Harriet Prescott Spofford’s “Circumstance”
by: Rita Bode
Published: (2019-11-01) -
Specular Metamorphoses: Harriet Prescott Spofford’s “The Ray of Displacement”
by: Asunción López-Varela
Published: (2019-10-01) -
Feline Alter Egos in Harriet Prescott Spofford’s “Circumstance” and the Poetry of Emily Dickinson
by: Adeline Chevrier-Bosseau
Published: (2019-10-01) -
Of Women, Wine and Salt: Revisioning the Home in Harriet Prescott Spofford’s Detective Fiction
by: Stéphanie Durrans
Published: (2019-11-01)