The Role of Lyrics in Estonian Literature: Three Exemplary Cases

Song lyrics are usually positioned in the margins of literature and tend not to be in the first line when writers and their works are discussed. There have been debates about whether to consider lyrics as literature and/ or ‘real poetry’. The article examines three cases in Estonian literature wher...

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Main Author: Anneli Niinre
Format: Article
Language:deu
Published: University of Tartu Press 2023-08-01
Series:Interlitteraria
Subjects:
Online Access:https://ojs.utlib.ee/index.php/IL/article/view/22860
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author Anneli Niinre
author_facet Anneli Niinre
author_sort Anneli Niinre
collection DOAJ
description Song lyrics are usually positioned in the margins of literature and tend not to be in the first line when writers and their works are discussed. There have been debates about whether to consider lyrics as literature and/ or ‘real poetry’. The article examines three cases in Estonian literature where melodised poetic texts have played a significant role in Estonian culture and are considered to be core texts: “Mu isamaa on minu arm” (My Fatherland is My Love) by Lydia Koidula, songs from the feature film Viimne reliikvia (The Last Relic), lyrics written by Paul-Eerik Rummo, and “Laul Põhjamaast” (“Song of the Northern Land”), lyrics by Enn Vetemaa. These also represent three ways a text can function: “Mu isamaa on minu arm” was first written and published as a poem and later set to music; The Last Relic represents a case where texts were initially written as lyrics and later published in a collection of poems; “Song of the Northern Land”, by Enn Vetemaa, was meant to be and has remained a song and has not been included in poetry collections.
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spelling doaj-art-65ed560542d94ff58869258d2a9bc5112025-01-28T09:17:52ZdeuUniversity of Tartu PressInterlitteraria1406-07012228-47292023-08-0128110.12697/IL.2023.28.1.6The Role of Lyrics in Estonian Literature: Three Exemplary CasesAnneli Niinre Song lyrics are usually positioned in the margins of literature and tend not to be in the first line when writers and their works are discussed. There have been debates about whether to consider lyrics as literature and/ or ‘real poetry’. The article examines three cases in Estonian literature where melodised poetic texts have played a significant role in Estonian culture and are considered to be core texts: “Mu isamaa on minu arm” (My Fatherland is My Love) by Lydia Koidula, songs from the feature film Viimne reliikvia (The Last Relic), lyrics written by Paul-Eerik Rummo, and “Laul Põhjamaast” (“Song of the Northern Land”), lyrics by Enn Vetemaa. These also represent three ways a text can function: “Mu isamaa on minu arm” was first written and published as a poem and later set to music; The Last Relic represents a case where texts were initially written as lyrics and later published in a collection of poems; “Song of the Northern Land”, by Enn Vetemaa, was meant to be and has remained a song and has not been included in poetry collections. https://ojs.utlib.ee/index.php/IL/article/view/22860lyricspoemsEstonian literaturecore texts
spellingShingle Anneli Niinre
The Role of Lyrics in Estonian Literature: Three Exemplary Cases
Interlitteraria
lyrics
poems
Estonian literature
core texts
title The Role of Lyrics in Estonian Literature: Three Exemplary Cases
title_full The Role of Lyrics in Estonian Literature: Three Exemplary Cases
title_fullStr The Role of Lyrics in Estonian Literature: Three Exemplary Cases
title_full_unstemmed The Role of Lyrics in Estonian Literature: Three Exemplary Cases
title_short The Role of Lyrics in Estonian Literature: Three Exemplary Cases
title_sort role of lyrics in estonian literature three exemplary cases
topic lyrics
poems
Estonian literature
core texts
url https://ojs.utlib.ee/index.php/IL/article/view/22860
work_keys_str_mv AT anneliniinre theroleoflyricsinestonianliteraturethreeexemplarycases
AT anneliniinre roleoflyricsinestonianliteraturethreeexemplarycases