Pia Arke and ‘Arctic Hysteria’: Visual Repatriation and the Problematics of a ‘Lost’ Artwork

This article examines Pia Arke’s artistic practice that engages with the phenomenon of ‘Arctic hysteria’, which apparently gripped large parts of the female indigenous population in the Arctic during the early contact era. By focusing on the ‘lost’ photomontage Arctic Hysteria IV (1997), I aim to sh...

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Main Author: Stephanie von Spreter
Format: Article
Language:Norwegian Bokmål
Published: Scandinavian University Press 2022-09-01
Series:Kunst og Kultur
Subjects:
Online Access:http://www.idunn.no/doi/10.18261/kk.105.2.3
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author Stephanie von Spreter
author_facet Stephanie von Spreter
author_sort Stephanie von Spreter
collection DOAJ
description This article examines Pia Arke’s artistic practice that engages with the phenomenon of ‘Arctic hysteria’, which apparently gripped large parts of the female indigenous population in the Arctic during the early contact era. By focusing on the ‘lost’ photomontage Arctic Hysteria IV (1997), I aim to show how Arke’s method of re-appropriating photographic material from colonial archives can be seen as an act of visual repatriation, of “working through” and reclaiming the repressed histories of indigenous Kalaallit women.
format Article
id doaj-art-65875e6468ef4e0fb98a562be0391969
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language Norwegian Bokmål
publishDate 2022-09-01
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series Kunst og Kultur
spelling doaj-art-65875e6468ef4e0fb98a562be03919692025-08-20T03:04:38ZnobScandinavian University PressKunst og Kultur0023-54151504-30292022-09-011052-38710210.18261/kk.105.2.3Pia Arke and ‘Arctic Hysteria’: Visual Repatriation and the Problematics of a ‘Lost’ ArtworkStephanie von SpreterThis article examines Pia Arke’s artistic practice that engages with the phenomenon of ‘Arctic hysteria’, which apparently gripped large parts of the female indigenous population in the Arctic during the early contact era. By focusing on the ‘lost’ photomontage Arctic Hysteria IV (1997), I aim to show how Arke’s method of re-appropriating photographic material from colonial archives can be seen as an act of visual repatriation, of “working through” and reclaiming the repressed histories of indigenous Kalaallit women.http://www.idunn.no/doi/10.18261/kk.105.2.3Pia ArkeArctic hysteriavisual repatriationphotographysocial biographycolonial archive
spellingShingle Stephanie von Spreter
Pia Arke and ‘Arctic Hysteria’: Visual Repatriation and the Problematics of a ‘Lost’ Artwork
Kunst og Kultur
Pia Arke
Arctic hysteria
visual repatriation
photography
social biography
colonial archive
title Pia Arke and ‘Arctic Hysteria’: Visual Repatriation and the Problematics of a ‘Lost’ Artwork
title_full Pia Arke and ‘Arctic Hysteria’: Visual Repatriation and the Problematics of a ‘Lost’ Artwork
title_fullStr Pia Arke and ‘Arctic Hysteria’: Visual Repatriation and the Problematics of a ‘Lost’ Artwork
title_full_unstemmed Pia Arke and ‘Arctic Hysteria’: Visual Repatriation and the Problematics of a ‘Lost’ Artwork
title_short Pia Arke and ‘Arctic Hysteria’: Visual Repatriation and the Problematics of a ‘Lost’ Artwork
title_sort pia arke and arctic hysteria visual repatriation and the problematics of a lost artwork
topic Pia Arke
Arctic hysteria
visual repatriation
photography
social biography
colonial archive
url http://www.idunn.no/doi/10.18261/kk.105.2.3
work_keys_str_mv AT stephanievonspreter piaarkeandarctichysteriavisualrepatriationandtheproblematicsofalostartwork