Mimetic set and match: Around Shaffer’s “Sleuth”

Anthony Shaffer’s mystery thriller, Sleuth, and subsequent film version, provide a blueprint for the crushing influence of imitation and monstrous doubling as outlined by French-American anthropologist, René Girard. The relationship between crime writer Andrew Wyke and his wife’s lover reveals itsel...

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Main Author: Andrzej Fretschel-Hojarski
Format: Article
Language:English
Published: Wydawnictwo Uniwersytetu Wrocławskiego 2025-04-01
Series:Studia Filmoznawcze
Subjects:
Online Access:https://wuwr.pl/sf/article/view/17981
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author Andrzej Fretschel-Hojarski
author_facet Andrzej Fretschel-Hojarski
author_sort Andrzej Fretschel-Hojarski
collection DOAJ
description Anthony Shaffer’s mystery thriller, Sleuth, and subsequent film version, provide a blueprint for the crushing influence of imitation and monstrous doubling as outlined by French-American anthropologist, René Girard. The relationship between crime writer Andrew Wyke and his wife’s lover reveals itself to be one of negative reciprocity built upon envy, leading to a lethal dénouement. Yet Milo’s final renunciation of mediated desire and further games-playing breaks the cycle of symmetry. Throughout both the script and screenplay, Shaffer offers an acute social commentary on the concepts of difference and non-belonging, while also addressing the drive towards assimilation which risks fomenting resentment among in-groups and out-groups.
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publishDate 2025-04-01
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spelling doaj-art-656647e8aef74702a76a214d5cf8aec62025-08-20T03:53:23ZengWydawnictwo Uniwersytetu WrocławskiegoStudia Filmoznawcze0860-116X2957-23982025-04-0147112410.19195/0860-116X.47.119751Mimetic set and match: Around Shaffer’s “Sleuth”Andrzej Fretschel-Hojarskihttps://orcid.org/0000-0002-9294-4417Anthony Shaffer’s mystery thriller, Sleuth, and subsequent film version, provide a blueprint for the crushing influence of imitation and monstrous doubling as outlined by French-American anthropologist, René Girard. The relationship between crime writer Andrew Wyke and his wife’s lover reveals itself to be one of negative reciprocity built upon envy, leading to a lethal dénouement. Yet Milo’s final renunciation of mediated desire and further games-playing breaks the cycle of symmetry. Throughout both the script and screenplay, Shaffer offers an acute social commentary on the concepts of difference and non-belonging, while also addressing the drive towards assimilation which risks fomenting resentment among in-groups and out-groups.https://wuwr.pl/sf/article/view/17981mimetic theorysleuthdoubles
spellingShingle Andrzej Fretschel-Hojarski
Mimetic set and match: Around Shaffer’s “Sleuth”
Studia Filmoznawcze
mimetic theory
sleuth
doubles
title Mimetic set and match: Around Shaffer’s “Sleuth”
title_full Mimetic set and match: Around Shaffer’s “Sleuth”
title_fullStr Mimetic set and match: Around Shaffer’s “Sleuth”
title_full_unstemmed Mimetic set and match: Around Shaffer’s “Sleuth”
title_short Mimetic set and match: Around Shaffer’s “Sleuth”
title_sort mimetic set and match around shaffer s sleuth
topic mimetic theory
sleuth
doubles
url https://wuwr.pl/sf/article/view/17981
work_keys_str_mv AT andrzejfretschelhojarski mimeticsetandmatcharoundshafferssleuth