De l’intention de l’artiste à l’effet de l’œuvre. Changer l’approche en conservation ?
Contemporary art is no longer about contemplation (where aesthetics and history are expressed together), but about life span, action and interaction. The artist uses technical means to fulfill the aesthetic function: they aim to have an “effect”. The material and functional analysis and the technica...
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| Format: | Article |
| Language: | English |
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Association CeROArt
2019-01-01
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| Series: | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art |
| Subjects: | |
| Online Access: | https://journals.openedition.org/ceroart/6020 |
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| _version_ | 1832578105951125504 |
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| author | Muriel Verbeeck |
| author_facet | Muriel Verbeeck |
| author_sort | Muriel Verbeeck |
| collection | DOAJ |
| description | Contemporary art is no longer about contemplation (where aesthetics and history are expressed together), but about life span, action and interaction. The artist uses technical means to fulfill the aesthetic function: they aim to have an “effect”. The material and functional analysis and the technical and analytical approach are not enough to explain this. The thought of the philosopher G. Genette could provide interesting leads. His definition of the work of art and the concept of attentionality are particularly fruitful for the conservator. |
| format | Article |
| id | doaj-art-64c1564f336e4e2dace467f62c374a69 |
| institution | Kabale University |
| issn | 1784-5092 |
| language | English |
| publishDate | 2019-01-01 |
| publisher | Association CeROArt |
| record_format | Article |
| series | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art |
| spelling | doaj-art-64c1564f336e4e2dace467f62c374a692025-01-30T14:14:14ZengAssociation CeROArtCeROArt : Conservation, Exposition, Restauration d'Objets d'Art1784-50922019-01-0110.4000/ceroart.6020De l’intention de l’artiste à l’effet de l’œuvre. Changer l’approche en conservation ?Muriel VerbeeckContemporary art is no longer about contemplation (where aesthetics and history are expressed together), but about life span, action and interaction. The artist uses technical means to fulfill the aesthetic function: they aim to have an “effect”. The material and functional analysis and the technical and analytical approach are not enough to explain this. The thought of the philosopher G. Genette could provide interesting leads. His definition of the work of art and the concept of attentionality are particularly fruitful for the conservator.https://journals.openedition.org/ceroart/6020contemporary arteffectGenetteontologyintentintention |
| spellingShingle | Muriel Verbeeck De l’intention de l’artiste à l’effet de l’œuvre. Changer l’approche en conservation ? CeROArt : Conservation, Exposition, Restauration d'Objets d'Art contemporary art effect Genette ontology intent intention |
| title | De l’intention de l’artiste à l’effet de l’œuvre. Changer l’approche en conservation ? |
| title_full | De l’intention de l’artiste à l’effet de l’œuvre. Changer l’approche en conservation ? |
| title_fullStr | De l’intention de l’artiste à l’effet de l’œuvre. Changer l’approche en conservation ? |
| title_full_unstemmed | De l’intention de l’artiste à l’effet de l’œuvre. Changer l’approche en conservation ? |
| title_short | De l’intention de l’artiste à l’effet de l’œuvre. Changer l’approche en conservation ? |
| title_sort | de l intention de l artiste a l effet de l oeuvre changer l approche en conservation |
| topic | contemporary art effect Genette ontology intent intention |
| url | https://journals.openedition.org/ceroart/6020 |
| work_keys_str_mv | AT murielverbeeck delintentiondelartistealeffetdelœuvrechangerlapprocheenconservation |