Stylistics study of Gowijeh Qaleh’s rock-cut tomb; Maragheh
Rock architecture has a long history in Iran and all over the world, and many climatic, defensive, cultural factors have led to the emergence of architectural examples of this type. The chronology and usage of these works have always been discussed after the discovery of the rock works from Western...
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| Format: | Article |
| Language: | deu |
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“George Enescu” National University of Arts of Iași
2020-05-01
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| Series: | Anastasis: Research in Medieval Culture and Art |
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| Online Access: | http://anastasis-review.ro/wp-content/uploads/ARMCA-2020-VII-1-06_Samad-Parvin.pdf |
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| _version_ | 1850055781232148480 |
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| author | Saeid Sattarnejad Samad Parvin Maryam Mastalizadeh |
| author_facet | Saeid Sattarnejad Samad Parvin Maryam Mastalizadeh |
| author_sort | Saeid Sattarnejad |
| collection | DOAJ |
| description | Rock architecture has a long history in Iran and all over the world, and many climatic, defensive, cultural factors have led to the emergence of architectural examples of this type. The chronology and usage of these works have always been discussed after the discovery of the rock works from Western Iran from the 19th century onwards. On the one hand, it can be said that the creators of these works have left a rather vague footprint of their time, making difficult the possibility of offering accurate and precise chronology and explaining usage for researchers and interested readers. On the other hand, due to the lack of knowledge and awareness of the beliefs of ancient people, some scholars have been mistaken in explaining the use and even the chronology of these works and sometimes, they presented different uses and chronologies for these works. Accordingly, such a mistake was made by a number of researchers in the city of Maragheh while explaining the use of Gowijeh Qaleh’s rock tomb by the use of water storage. For this purpose, this article examined Gowijeh Qaleh’s rock-cut tomb from an analytical perspective. Therefore, this work can be more confidently considered as a part of the first millennium BC, and it is referred to the culture of Urartu. |
| format | Article |
| id | doaj-art-649c58a15ab4425ea5b42e1b0a6906bc |
| institution | DOAJ |
| issn | 2392-862X 2392-9472 |
| language | deu |
| publishDate | 2020-05-01 |
| publisher | “George Enescu” National University of Arts of Iași |
| record_format | Article |
| series | Anastasis: Research in Medieval Culture and Art |
| spelling | doaj-art-649c58a15ab4425ea5b42e1b0a6906bc2025-08-20T02:51:52Zdeu“George Enescu” National University of Arts of IașiAnastasis: Research in Medieval Culture and Art2392-862X2392-94722020-05-01VII111312210.35218/armca.2020.1.06Stylistics study of Gowijeh Qaleh’s rock-cut tomb; MaraghehSaeid Sattarnejad0Samad Parvin1Maryam Mastalizadeh2PhD student of the Archaeology of Islamic Periods, University of Mohaghegh Ardabili, Faculty of Literature and Human Sciences, saeidsattarnejad@yahoo.comGraduate of Archaeology, University of Mohaghegh Ardabili, Faculty of Literature and Human Sciences, arjaan1370@gmail.comPhD student of the Archaeology of Islamic Periods, University of Mazandaran, Faculty of Arts and Architecture, mastalizadeh@gmail.comRock architecture has a long history in Iran and all over the world, and many climatic, defensive, cultural factors have led to the emergence of architectural examples of this type. The chronology and usage of these works have always been discussed after the discovery of the rock works from Western Iran from the 19th century onwards. On the one hand, it can be said that the creators of these works have left a rather vague footprint of their time, making difficult the possibility of offering accurate and precise chronology and explaining usage for researchers and interested readers. On the other hand, due to the lack of knowledge and awareness of the beliefs of ancient people, some scholars have been mistaken in explaining the use and even the chronology of these works and sometimes, they presented different uses and chronologies for these works. Accordingly, such a mistake was made by a number of researchers in the city of Maragheh while explaining the use of Gowijeh Qaleh’s rock tomb by the use of water storage. For this purpose, this article examined Gowijeh Qaleh’s rock-cut tomb from an analytical perspective. Therefore, this work can be more confidently considered as a part of the first millennium BC, and it is referred to the culture of Urartu.http://anastasis-review.ro/wp-content/uploads/ARMCA-2020-VII-1-06_Samad-Parvin.pdfgowijeh qalehuserurarturock tombs |
| spellingShingle | Saeid Sattarnejad Samad Parvin Maryam Mastalizadeh Stylistics study of Gowijeh Qaleh’s rock-cut tomb; Maragheh Anastasis: Research in Medieval Culture and Art gowijeh qaleh user urartu rock tombs |
| title | Stylistics study of Gowijeh Qaleh’s rock-cut tomb; Maragheh |
| title_full | Stylistics study of Gowijeh Qaleh’s rock-cut tomb; Maragheh |
| title_fullStr | Stylistics study of Gowijeh Qaleh’s rock-cut tomb; Maragheh |
| title_full_unstemmed | Stylistics study of Gowijeh Qaleh’s rock-cut tomb; Maragheh |
| title_short | Stylistics study of Gowijeh Qaleh’s rock-cut tomb; Maragheh |
| title_sort | stylistics study of gowijeh qaleh s rock cut tomb maragheh |
| topic | gowijeh qaleh user urartu rock tombs |
| url | http://anastasis-review.ro/wp-content/uploads/ARMCA-2020-VII-1-06_Samad-Parvin.pdf |
| work_keys_str_mv | AT saeidsattarnejad stylisticsstudyofgowijehqalehsrockcuttombmaragheh AT samadparvin stylisticsstudyofgowijehqalehsrockcuttombmaragheh AT maryammastalizadeh stylisticsstudyofgowijehqalehsrockcuttombmaragheh |