Table ronde autour d’une performance dans un panier en osier
In place of an abstract, here are a few lines written by a reader of this article, someone who is himself a contributor to this issue on “Plastic Anthropologies”, and is keen on Lacan’s topology.Four people—Laurence, Baptiste, Vincent and Jérémy, who have been working together for a few years on a r...
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| Format: | Article |
| Language: | fra |
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Laboratoire d'Ethnologie et de Sociologie Comparative
2024-12-01
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| Series: | Ateliers d'Anthropologie |
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| Online Access: | https://journals.openedition.org/ateliers/19153 |
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| _version_ | 1832578637998587904 |
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| author | Baptiste Buob Jérémy Demesmaeker Laurence Maillot Carl Lavery Vincent Rioux |
| author_facet | Baptiste Buob Jérémy Demesmaeker Laurence Maillot Carl Lavery Vincent Rioux |
| author_sort | Baptiste Buob |
| collection | DOAJ |
| description | In place of an abstract, here are a few lines written by a reader of this article, someone who is himself a contributor to this issue on “Plastic Anthropologies”, and is keen on Lacan’s topology.Four people—Laurence, Baptiste, Vincent and Jérémy, who have been working together for a few years on a re-imagining, a re-writing, a re-situating, a performance and an (“incremental”) re-programming inspired by the film Les Maîtres fous by Jean Rouch—were invited by a fifth person, Carl, to show and talk about what they have done, in such a way that the article itself re-enacts and therefore transforms the academic ritual of the “round-table discussion”. In my view, this consists in turning the round table into a torus table, the torus being the topological shape that problematises the interior and exterior. The text disrupts the usual idea of a document “containing” an already completed work. The reader gets an idea of the work done over the years, but the subject of the article is neither a history of, nor a retrospective “return” to, the project, but rather a re-torus. It is a simultaneous look at the past and future, at how the individuals who participated—those four at least—got down to work and continue to pursue a desire to get down to work, in quadruple connection with: i) Rouch’s Les Maîtres fous; ii) a performance by the company Dodescaden, also entitled Les Maîtres fous; iii) the fifty hours of film of the performance; iv) the programming of a machine, an art installation called Performance in absentia, which presents possible arrangements of those films such that it re-enacts the performance in a way that is both controlled, because it is configured, but also uncontrolled, because the programme has the built-in ability to produce unexpected results. |
| format | Article |
| id | doaj-art-6457fbf03137429db3e79c967aaa634d |
| institution | Kabale University |
| issn | 2117-3869 |
| language | fra |
| publishDate | 2024-12-01 |
| publisher | Laboratoire d'Ethnologie et de Sociologie Comparative |
| record_format | Article |
| series | Ateliers d'Anthropologie |
| spelling | doaj-art-6457fbf03137429db3e79c967aaa634d2025-01-30T13:42:45ZfraLaboratoire d'Ethnologie et de Sociologie ComparativeAteliers d'Anthropologie2117-38692024-12-015410.4000/12z0dTable ronde autour d’une performance dans un panier en osierBaptiste BuobJérémy DemesmaekerLaurence MaillotCarl LaveryVincent RiouxIn place of an abstract, here are a few lines written by a reader of this article, someone who is himself a contributor to this issue on “Plastic Anthropologies”, and is keen on Lacan’s topology.Four people—Laurence, Baptiste, Vincent and Jérémy, who have been working together for a few years on a re-imagining, a re-writing, a re-situating, a performance and an (“incremental”) re-programming inspired by the film Les Maîtres fous by Jean Rouch—were invited by a fifth person, Carl, to show and talk about what they have done, in such a way that the article itself re-enacts and therefore transforms the academic ritual of the “round-table discussion”. In my view, this consists in turning the round table into a torus table, the torus being the topological shape that problematises the interior and exterior. The text disrupts the usual idea of a document “containing” an already completed work. The reader gets an idea of the work done over the years, but the subject of the article is neither a history of, nor a retrospective “return” to, the project, but rather a re-torus. It is a simultaneous look at the past and future, at how the individuals who participated—those four at least—got down to work and continue to pursue a desire to get down to work, in quadruple connection with: i) Rouch’s Les Maîtres fous; ii) a performance by the company Dodescaden, also entitled Les Maîtres fous; iii) the fifty hours of film of the performance; iv) the programming of a machine, an art installation called Performance in absentia, which presents possible arrangements of those films such that it re-enacts the performance in a way that is both controlled, because it is configured, but also uncontrolled, because the programme has the built-in ability to produce unexpected results.https://journals.openedition.org/ateliers/19153generative artincremental labilityhaoukingJean RouchKim Kardashianconcurrent programming |
| spellingShingle | Baptiste Buob Jérémy Demesmaeker Laurence Maillot Carl Lavery Vincent Rioux Table ronde autour d’une performance dans un panier en osier Ateliers d'Anthropologie generative art incremental lability haouking Jean Rouch Kim Kardashian concurrent programming |
| title | Table ronde autour d’une performance dans un panier en osier |
| title_full | Table ronde autour d’une performance dans un panier en osier |
| title_fullStr | Table ronde autour d’une performance dans un panier en osier |
| title_full_unstemmed | Table ronde autour d’une performance dans un panier en osier |
| title_short | Table ronde autour d’une performance dans un panier en osier |
| title_sort | table ronde autour d une performance dans un panier en osier |
| topic | generative art incremental lability haouking Jean Rouch Kim Kardashian concurrent programming |
| url | https://journals.openedition.org/ateliers/19153 |
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