Restoration of artworks in the Berlin royal picture collection between 1797 and 1830
The efforts on conservation and restoration of pictures in the Prussian royal collections increased in the first decades of the 19th century. Local painters were replaced first by French and Italian restorers, then by German professionals that founded an own workshop, related to the new public art m...
Saved in:
Main Author: | |
---|---|
Format: | Article |
Language: | English |
Published: |
Association CeROArt
2012-04-01
|
Series: | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art |
Subjects: | |
Online Access: | https://journals.openedition.org/ceroart/2356 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
_version_ | 1832578105504432128 |
---|---|
author | Robert Skwirblies |
author_facet | Robert Skwirblies |
author_sort | Robert Skwirblies |
collection | DOAJ |
description | The efforts on conservation and restoration of pictures in the Prussian royal collections increased in the first decades of the 19th century. Local painters were replaced first by French and Italian restorers, then by German professionals that founded an own workshop, related to the new public art museum in Berlin. Systematic, frugal restorations and control by the authorities superseded former disregard and selective measures. |
format | Article |
id | doaj-art-641d05b9932841bbbb4da6028f9c54d2 |
institution | Kabale University |
issn | 1784-5092 |
language | English |
publishDate | 2012-04-01 |
publisher | Association CeROArt |
record_format | Article |
series | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art |
spelling | doaj-art-641d05b9932841bbbb4da6028f9c54d22025-01-30T14:13:50ZengAssociation CeROArtCeROArt : Conservation, Exposition, Restauration d'Objets d'Art1784-50922012-04-0110.4000/ceroart.2356Restoration of artworks in the Berlin royal picture collection between 1797 and 1830Robert SkwirbliesThe efforts on conservation and restoration of pictures in the Prussian royal collections increased in the first decades of the 19th century. Local painters were replaced first by French and Italian restorers, then by German professionals that founded an own workshop, related to the new public art museum in Berlin. Systematic, frugal restorations and control by the authorities superseded former disregard and selective measures. https://journals.openedition.org/ceroart/2356paintingmuseumBerlinroyal collectionbackgroundSchlesinger |
spellingShingle | Robert Skwirblies Restoration of artworks in the Berlin royal picture collection between 1797 and 1830 CeROArt : Conservation, Exposition, Restauration d'Objets d'Art painting museum Berlin royal collection background Schlesinger |
title | Restoration of artworks in the Berlin royal picture collection between 1797 and 1830 |
title_full | Restoration of artworks in the Berlin royal picture collection between 1797 and 1830 |
title_fullStr | Restoration of artworks in the Berlin royal picture collection between 1797 and 1830 |
title_full_unstemmed | Restoration of artworks in the Berlin royal picture collection between 1797 and 1830 |
title_short | Restoration of artworks in the Berlin royal picture collection between 1797 and 1830 |
title_sort | restoration of artworks in the berlin royal picture collection between 1797 and 1830 |
topic | painting museum Berlin royal collection background Schlesinger |
url | https://journals.openedition.org/ceroart/2356 |
work_keys_str_mv | AT robertskwirblies restorationofartworksintheberlinroyalpicturecollectionbetween1797and1830 |