The Identity of Objects: Form & Nature in Digital Museums

Reconciling Justus Buchler's theory of natural complexes with the Peircean triadic categorial schema, a theory of semiotic radiance is articulated that elaborates the nature of identity with regard to informatic control over objects in a mu- seum collection. The model is deployed in the context...

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Main Author: Jason T Hewitt
Format: Article
Language:English
Published: Paderborn University: Media Systems and Media Organisation Research Group 2011-10-01
Series:tripleC: Communication, Capitalism & Critique
Subjects:
Online Access:https://www.triple-c.at/index.php/tripleC/article/view/308
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author Jason T Hewitt
author_facet Jason T Hewitt
author_sort Jason T Hewitt
collection DOAJ
description Reconciling Justus Buchler's theory of natural complexes with the Peircean triadic categorial schema, a theory of semiotic radiance is articulated that elaborates the nature of identity with regard to informatic control over objects in a mu- seum collection. The model is deployed in the context of Edwina Taborsky's description of the historical transformation of the cultural syntax of museums. It is argued that the pattern of transformation is not random, but rather follows a specific and recognizable pattern. This pattern is consistent with a general trend in culture, identified by Heidegger, that becomes particularly problematic in its later stages. A theory of the commons derived from Hardt and Negri is articulated that looks to regenerate the space of the museum with regard to its informatic structures in order to renegotiate humanism in terms of a liberation ethic. The rubric of fundamental informatics is borrowed from Toru Nishigaki to describe the inquiry that pursues that end.
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language English
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publisher Paderborn University: Media Systems and Media Organisation Research Group
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series tripleC: Communication, Capitalism & Critique
spelling doaj-art-640476a9f1ca41ad9346da039afb233e2025-08-20T03:36:19ZengPaderborn University: Media Systems and Media Organisation Research GrouptripleC: Communication, Capitalism & Critique1726-670X2011-10-019210.31269/triplec.v9i2.308308The Identity of Objects: Form & Nature in Digital MuseumsJason T HewittReconciling Justus Buchler's theory of natural complexes with the Peircean triadic categorial schema, a theory of semiotic radiance is articulated that elaborates the nature of identity with regard to informatic control over objects in a mu- seum collection. The model is deployed in the context of Edwina Taborsky's description of the historical transformation of the cultural syntax of museums. It is argued that the pattern of transformation is not random, but rather follows a specific and recognizable pattern. This pattern is consistent with a general trend in culture, identified by Heidegger, that becomes particularly problematic in its later stages. A theory of the commons derived from Hardt and Negri is articulated that looks to regenerate the space of the museum with regard to its informatic structures in order to renegotiate humanism in terms of a liberation ethic. The rubric of fundamental informatics is borrowed from Toru Nishigaki to describe the inquiry that pursues that end.https://www.triple-c.at/index.php/tripleC/article/view/308semioticspragmatismfundamental informaticsgeneral informaticsmuseum informaticsmuseology
spellingShingle Jason T Hewitt
The Identity of Objects: Form & Nature in Digital Museums
tripleC: Communication, Capitalism & Critique
semiotics
pragmatism
fundamental informatics
general informatics
museum informatics
museology
title The Identity of Objects: Form & Nature in Digital Museums
title_full The Identity of Objects: Form & Nature in Digital Museums
title_fullStr The Identity of Objects: Form & Nature in Digital Museums
title_full_unstemmed The Identity of Objects: Form & Nature in Digital Museums
title_short The Identity of Objects: Form & Nature in Digital Museums
title_sort identity of objects form nature in digital museums
topic semiotics
pragmatism
fundamental informatics
general informatics
museum informatics
museology
url https://www.triple-c.at/index.php/tripleC/article/view/308
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