Gestalt theory and the guidance of the gaze in early Buddhist stupa reliefs

Buddhist stupa reliefs, with their specific placement in architectural space, create unique conditions for their viewing. They were attached to religious monuments (stupas) and were looked at during the ritual of circumambulation. This article examines how various strategies of image composition wer...

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Main Author: Voegtle Simone
Format: Article
Language:deu
Published: Sciendo 2024-12-01
Series:Gestalt Theory
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Online Access:https://doi.org/10.2478/gth-2024-0019
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author Voegtle Simone
author_facet Voegtle Simone
author_sort Voegtle Simone
collection DOAJ
description Buddhist stupa reliefs, with their specific placement in architectural space, create unique conditions for their viewing. They were attached to religious monuments (stupas) and were looked at during the ritual of circumambulation. This article examines how various strategies of image composition were used to optimize the readability of narrative images and enable the perception of a chronological flow. As a close examination of the pictorial structure shows, the strategies set out in Gestalt theory are also applied in images that were viewed under circumstances contrary to Western habits. The examples discussed, showing scenes from the life of the Buddha, were subject to different conditions of viewing and a different art-historical background but followed the same perceptual-psychological imprint.
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spelling doaj-art-62a952e0ae964a88a2bbfb9e30e091b72025-08-20T03:41:41ZdeuSciendoGestalt Theory2519-58082024-12-01462-325727510.2478/gth-2024-0019Gestalt theory and the guidance of the gaze in early Buddhist stupa reliefsVoegtle Simone01Université de Lausanne, Bâtiment Anthropole, 1015 LausanneBuddhist stupa reliefs, with their specific placement in architectural space, create unique conditions for their viewing. They were attached to religious monuments (stupas) and were looked at during the ritual of circumambulation. This article examines how various strategies of image composition were used to optimize the readability of narrative images and enable the perception of a chronological flow. As a close examination of the pictorial structure shows, the strategies set out in Gestalt theory are also applied in images that were viewed under circumstances contrary to Western habits. The examples discussed, showing scenes from the life of the Buddha, were subject to different conditions of viewing and a different art-historical background but followed the same perceptual-psychological imprint.https://doi.org/10.2478/gth-2024-0019indiaearly buddhist artnarrative imagesstrategies of image compositionreadability
spellingShingle Voegtle Simone
Gestalt theory and the guidance of the gaze in early Buddhist stupa reliefs
Gestalt Theory
india
early buddhist art
narrative images
strategies of image composition
readability
title Gestalt theory and the guidance of the gaze in early Buddhist stupa reliefs
title_full Gestalt theory and the guidance of the gaze in early Buddhist stupa reliefs
title_fullStr Gestalt theory and the guidance of the gaze in early Buddhist stupa reliefs
title_full_unstemmed Gestalt theory and the guidance of the gaze in early Buddhist stupa reliefs
title_short Gestalt theory and the guidance of the gaze in early Buddhist stupa reliefs
title_sort gestalt theory and the guidance of the gaze in early buddhist stupa reliefs
topic india
early buddhist art
narrative images
strategies of image composition
readability
url https://doi.org/10.2478/gth-2024-0019
work_keys_str_mv AT voegtlesimone gestalttheoryandtheguidanceofthegazeinearlybuddhiststupareliefs