Indigene und Cook. Der Tahitianer Omai (1751–1780) als Fallbeispiel für das Konzept des „Edlen Wilden“?

During James Cook’s second voyage of discovery, a young Tahitian by the name of Omai (1751–1780) was taken aboard the Adventure, one of the two ships of this expedition. Omai travelled to England, where he was introduced into the British Upper Class and much admired as a living example of a noble an...

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Main Author: Jakob Franz Kathrein
Format: Article
Language:deu
Published: Innsbruck University Press (IUP) 2017-06-01
Series:Historia.scribere
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Online Access:https://webapp.uibk.ac.at/ojs2/index.php/historia_scribere/article/view/2154
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author Jakob Franz Kathrein
author_facet Jakob Franz Kathrein
author_sort Jakob Franz Kathrein
collection DOAJ
description During James Cook’s second voyage of discovery, a young Tahitian by the name of Omai (1751–1780) was taken aboard the Adventure, one of the two ships of this expedition. Omai travelled to England, where he was introduced into the British Upper Class and much admired as a living example of a noble and pure South Sea islander in tune with Mother Nature. Omai became accepted in the highest society circles, was painted by several great artists of the time and became part of the collective hype surrounding James Cook’s voyages of discovery and the new experiences with non-European cultures. This paper compares available scientific literature on this topic and aims to analyze the role of Omai as a historical figure and as the personification of the idealized European concept of the noble savage.
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publisher Innsbruck University Press (IUP)
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spelling doaj-art-620c1334ca8744d2b8e77b0c5b2cb7db2025-08-20T03:19:28ZdeuInnsbruck University Press (IUP)Historia.scribere2073-89272073-89272017-06-010924326810.15203/historia.scribere.9.5551665Indigene und Cook. Der Tahitianer Omai (1751–1780) als Fallbeispiel für das Konzept des „Edlen Wilden“?Jakob Franz KathreinDuring James Cook’s second voyage of discovery, a young Tahitian by the name of Omai (1751–1780) was taken aboard the Adventure, one of the two ships of this expedition. Omai travelled to England, where he was introduced into the British Upper Class and much admired as a living example of a noble and pure South Sea islander in tune with Mother Nature. Omai became accepted in the highest society circles, was painted by several great artists of the time and became part of the collective hype surrounding James Cook’s voyages of discovery and the new experiences with non-European cultures. This paper compares available scientific literature on this topic and aims to analyze the role of Omai as a historical figure and as the personification of the idealized European concept of the noble savage.https://webapp.uibk.ac.at/ojs2/index.php/historia_scribere/article/view/2154SE-Arbeit
spellingShingle Jakob Franz Kathrein
Indigene und Cook. Der Tahitianer Omai (1751–1780) als Fallbeispiel für das Konzept des „Edlen Wilden“?
Historia.scribere
SE-Arbeit
title Indigene und Cook. Der Tahitianer Omai (1751–1780) als Fallbeispiel für das Konzept des „Edlen Wilden“?
title_full Indigene und Cook. Der Tahitianer Omai (1751–1780) als Fallbeispiel für das Konzept des „Edlen Wilden“?
title_fullStr Indigene und Cook. Der Tahitianer Omai (1751–1780) als Fallbeispiel für das Konzept des „Edlen Wilden“?
title_full_unstemmed Indigene und Cook. Der Tahitianer Omai (1751–1780) als Fallbeispiel für das Konzept des „Edlen Wilden“?
title_short Indigene und Cook. Der Tahitianer Omai (1751–1780) als Fallbeispiel für das Konzept des „Edlen Wilden“?
title_sort indigene und cook der tahitianer omai 1751 1780 als fallbeispiel fur das konzept des edlen wilden
topic SE-Arbeit
url https://webapp.uibk.ac.at/ojs2/index.php/historia_scribere/article/view/2154
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