Examining Fernando Sor’s Étude Books Written for Classical Guitar
As virtuosity on the classical guitar gained importance in the early 19th century, a parallel increase occurred regarding methodological compositions. Guitarists and composers who conducted these works include Ferdinando Carulli (1770-1841), Fernando Sor (1778-1839), Francesco Molino (1768-1847), Ma...
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| Format: | Article |
| Language: | English |
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Istanbul University Press
2024-06-01
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| Series: | Konservatoryum |
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| Online Access: | https://cdn.istanbul.edu.tr/file/JTA6CLJ8T5/6CD58C8C5E664D6CB2787D4D046C4CA2 |
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| _version_ | 1850187616478035968 |
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| author | İbrahim Şevket Güleç |
| author_facet | İbrahim Şevket Güleç |
| author_sort | İbrahim Şevket Güleç |
| collection | DOAJ |
| description | As virtuosity on the classical guitar gained importance in the early 19th century, a parallel increase occurred regarding methodological compositions. Guitarists and composers who conducted these works include Ferdinando Carulli (1770-1841), Fernando Sor (1778-1839), Francesco Molino (1768-1847), Matteo Carcassi (1792-1853), and Dionisio Aguado (1784-1849). Among these pioneering artists, Fernando Sor had a method and composed six étude books that are still used in modern classical guitar education. Technical analyses of the composer’s selected works have been addressed in the literature. Accordingly, the current study has identified its issue to be what the technical elements are in all of the composer’s étude books. The distribution of the étude books according to left- and right-hand techniques is shown in organized tables, with the purpose here being to visually present the technical distributions according to the études. This way, performers can easily identify the techniques on which they want to focus. When examining the tables, the most preferred technique in all the étude books is melody accompaniment, followed by chords, intervals, arpeggios, legato, barre, muting, ornaments, scales, agility, thumb, harmonics, tremolo, position jumping, and glissando. This situation emphasizes how important musical expression is in Sor’s étude books. |
| format | Article |
| id | doaj-art-61ad3a6fc81a4ee084501df3c5e626c7 |
| institution | OA Journals |
| issn | 2618-5695 |
| language | English |
| publishDate | 2024-06-01 |
| publisher | Istanbul University Press |
| record_format | Article |
| series | Konservatoryum |
| spelling | doaj-art-61ad3a6fc81a4ee084501df3c5e626c72025-08-20T02:16:03ZengIstanbul University PressKonservatoryum2618-56952024-06-0111114715510.26650/CONS2024-1469862123456Examining Fernando Sor’s Étude Books Written for Classical Guitarİbrahim Şevket Güleç0https://orcid.org/0000-0002-7961-5715Necmettin Erbakan Üniversitesi, Konya, TurkiyeAs virtuosity on the classical guitar gained importance in the early 19th century, a parallel increase occurred regarding methodological compositions. Guitarists and composers who conducted these works include Ferdinando Carulli (1770-1841), Fernando Sor (1778-1839), Francesco Molino (1768-1847), Matteo Carcassi (1792-1853), and Dionisio Aguado (1784-1849). Among these pioneering artists, Fernando Sor had a method and composed six étude books that are still used in modern classical guitar education. Technical analyses of the composer’s selected works have been addressed in the literature. Accordingly, the current study has identified its issue to be what the technical elements are in all of the composer’s étude books. The distribution of the étude books according to left- and right-hand techniques is shown in organized tables, with the purpose here being to visually present the technical distributions according to the études. This way, performers can easily identify the techniques on which they want to focus. When examining the tables, the most preferred technique in all the étude books is melody accompaniment, followed by chords, intervals, arpeggios, legato, barre, muting, ornaments, scales, agility, thumb, harmonics, tremolo, position jumping, and glissando. This situation emphasizes how important musical expression is in Sor’s étude books.https://cdn.istanbul.edu.tr/file/JTA6CLJ8T5/6CD58C8C5E664D6CB2787D4D046C4CA2fernando sorhistory of guitar educationtechnical classification |
| spellingShingle | İbrahim Şevket Güleç Examining Fernando Sor’s Étude Books Written for Classical Guitar Konservatoryum fernando sor history of guitar education technical classification |
| title | Examining Fernando Sor’s Étude Books Written for Classical Guitar |
| title_full | Examining Fernando Sor’s Étude Books Written for Classical Guitar |
| title_fullStr | Examining Fernando Sor’s Étude Books Written for Classical Guitar |
| title_full_unstemmed | Examining Fernando Sor’s Étude Books Written for Classical Guitar |
| title_short | Examining Fernando Sor’s Étude Books Written for Classical Guitar |
| title_sort | examining fernando sor s etude books written for classical guitar |
| topic | fernando sor history of guitar education technical classification |
| url | https://cdn.istanbul.edu.tr/file/JTA6CLJ8T5/6CD58C8C5E664D6CB2787D4D046C4CA2 |
| work_keys_str_mv | AT ibrahimsevketgulec examiningfernandosorsetudebookswrittenforclassicalguitar |