Pélage : archéologie et utilisations de l’image d’un point de vue queer

This article shows the use of the figure of Pelagius in three precise historical moments: the Middle Ages, in which the martyrdom of the saint is written; the 16th century, in which the images of the altarpiece of Saint Pelayo were created, coinciding with the proclamation of the Pragmática against...

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Main Author: Javier Cuevas del Barrio
Format: Article
Language:fra
Published: Centre d´Histoire et Théorie des Arts 2021-03-01
Series:Images Re-Vues
Subjects:
Online Access:https://journals.openedition.org/imagesrevues/8168
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author Javier Cuevas del Barrio
author_facet Javier Cuevas del Barrio
author_sort Javier Cuevas del Barrio
collection DOAJ
description This article shows the use of the figure of Pelagius in three precise historical moments: the Middle Ages, in which the martyrdom of the saint is written; the 16th century, in which the images of the altarpiece of Saint Pelayo were created, coinciding with the proclamation of the Pragmática against sodomy by the Catholic Kings; then the Spanish civil war and the first Francoism, when the altarpiece arrives in the city of Malaga. During this last period, the figure of Pelayo has been associated with new meanings, as evidenced by comics and cinema. Methodologically, this article proposes homosexual/queer readings of the figure of Pelayo, linking with the Anglo-Saxon tradition of Queer Iberia, a tradition that, starting with Américo Castro, reviews the literature produced in the Iberian Middle Ages from a queer perspective
format Article
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language fra
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publisher Centre d´Histoire et Théorie des Arts
record_format Article
series Images Re-Vues
spelling doaj-art-619885b5293f436bb0beff2094f2ff5b2025-08-20T01:55:58ZfraCentre d´Histoire et Théorie des ArtsImages Re-Vues1778-38012021-03-011710.4000/imagesrevues.8168Pélage : archéologie et utilisations de l’image d’un point de vue queerJavier Cuevas del BarrioThis article shows the use of the figure of Pelagius in three precise historical moments: the Middle Ages, in which the martyrdom of the saint is written; the 16th century, in which the images of the altarpiece of Saint Pelayo were created, coinciding with the proclamation of the Pragmática against sodomy by the Catholic Kings; then the Spanish civil war and the first Francoism, when the altarpiece arrives in the city of Malaga. During this last period, the figure of Pelayo has been associated with new meanings, as evidenced by comics and cinema. Methodologically, this article proposes homosexual/queer readings of the figure of Pelayo, linking with the Anglo-Saxon tradition of Queer Iberia, a tradition that, starting with Américo Castro, reviews the literature produced in the Iberian Middle Ages from a queer perspectivehttps://journals.openedition.org/imagesrevues/8168WarburgQueer TheoryHomoerotismPelagius
spellingShingle Javier Cuevas del Barrio
Pélage : archéologie et utilisations de l’image d’un point de vue queer
Images Re-Vues
Warburg
Queer Theory
Homoerotism
Pelagius
title Pélage : archéologie et utilisations de l’image d’un point de vue queer
title_full Pélage : archéologie et utilisations de l’image d’un point de vue queer
title_fullStr Pélage : archéologie et utilisations de l’image d’un point de vue queer
title_full_unstemmed Pélage : archéologie et utilisations de l’image d’un point de vue queer
title_short Pélage : archéologie et utilisations de l’image d’un point de vue queer
title_sort pelage archeologie et utilisations de l image d un point de vue queer
topic Warburg
Queer Theory
Homoerotism
Pelagius
url https://journals.openedition.org/imagesrevues/8168
work_keys_str_mv AT javiercuevasdelbarrio pelagearcheologieetutilisationsdelimagedunpointdevuequeer