Entre Rideau de Fer et Dégel : panorama des opéras soviétiques 1945-1970
The immediate post-war “Iron Curtain” years in the USSR were a time of artistic and cultural stagnation due to Stalin’s and Jdanov’s diktats denouncing musical formalism and exalting the method of socialist realism, with such victims as Prokofiev and Shostakovich among others, leading to stereotyped...
Saved in:
| Main Author: | Tetiana Zolozova-Le Menestrel |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Presses universitaires de Rennes
2014-10-01
|
| Series: | Revue LISA |
| Subjects: | |
| Online Access: | https://journals.openedition.org/lisa/6750 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Les Fiançailles au couvent : Prokofiev adapte La Duègne de Sheridan
by: Tetiana Zolozova
Published: (2011-12-01) -
The Effects of the Second World War on Soviet Classical Music
by: Ezgi Nihan Uzunonat
Published: (2023-06-01) -
How can contemporary opera contribute to the discussion on gender roles? The case of comic-strip opera Alpha
by: Murauskaitė-Juškienė Rasa
Published: (2025-01-01) -
Dwuznaczny powab. Opera w kinie
by: Iwona Sowińska
Published: (2009-06-01) -
Silent Pasts and a Reconfigured Present in Histories of Chinese (New) Opera
by: Annie Yen-Ling Liu
Published: (2024-12-01)