A escrita comovida de João Anzanello Carrascoza
The impassible narration, which, in its indifference, emulates the brutality of the episodesit describes, is an essential feature of the most noted Brazilian fictions of the 1990s. The attention devoted to this mimetic realism, whichrelies on shock as the best strategy for anun mediated apprehension...
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| Format: | Article |
| Language: | Spanish |
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Universidade de Brasília
2009-01-01
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| Series: | Estudos de Literatura Brasileira Contemporânea |
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| Online Access: | http://www.redalyc.org/articulo.oa?id=323127098010 |
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| author | Miguel Conde |
| author_facet | Miguel Conde |
| author_sort | Miguel Conde |
| collection | DOAJ |
| description | The impassible narration, which, in its indifference, emulates the brutality of the episodesit describes, is an essential feature of the most noted Brazilian fictions of the 1990s. The attention devoted to this mimetic realism, whichrelies on shock as the best strategy for anun mediated apprehension of the real, creates a context in which commotion is perceived as naive or suspicious. The reception to the short stories of João Anzanello Carrascoza, which have been described as borderline between sublime and kitsch, exemplifies that. A carefulr eading of his stories, however, shows that in them commotion derives not from a denial of reality,but instead from the recognitionof that which, in the real,is truly inevitable and "idiot", as formulated by Clément Rosset. |
| format | Article |
| id | doaj-art-60b01f4616c84c5f95b227a8a2500ff1 |
| institution | Kabale University |
| issn | 1518-0158 2316-4018 |
| language | Spanish |
| publishDate | 2009-01-01 |
| publisher | Universidade de Brasília |
| record_format | Article |
| series | Estudos de Literatura Brasileira Contemporânea |
| spelling | doaj-art-60b01f4616c84c5f95b227a8a2500ff12025-02-07T19:44:33ZspaUniversidade de BrasíliaEstudos de Literatura Brasileira Contemporânea1518-01582316-40182009-01-0134223232A escrita comovida de João Anzanello CarrascozaMiguel CondeThe impassible narration, which, in its indifference, emulates the brutality of the episodesit describes, is an essential feature of the most noted Brazilian fictions of the 1990s. The attention devoted to this mimetic realism, whichrelies on shock as the best strategy for anun mediated apprehension of the real, creates a context in which commotion is perceived as naive or suspicious. The reception to the short stories of João Anzanello Carrascoza, which have been described as borderline between sublime and kitsch, exemplifies that. A carefulr eading of his stories, however, shows that in them commotion derives not from a denial of reality,but instead from the recognitionof that which, in the real,is truly inevitable and "idiot", as formulated by Clément Rosset.http://www.redalyc.org/articulo.oa?id=323127098010commotionkitschsublimerealjoão anzanello carrascoza |
| spellingShingle | Miguel Conde A escrita comovida de João Anzanello Carrascoza Estudos de Literatura Brasileira Contemporânea commotion kitsch sublime real joão anzanello carrascoza |
| title | A escrita comovida de João Anzanello Carrascoza |
| title_full | A escrita comovida de João Anzanello Carrascoza |
| title_fullStr | A escrita comovida de João Anzanello Carrascoza |
| title_full_unstemmed | A escrita comovida de João Anzanello Carrascoza |
| title_short | A escrita comovida de João Anzanello Carrascoza |
| title_sort | escrita comovida de joao anzanello carrascoza |
| topic | commotion kitsch sublime real joão anzanello carrascoza |
| url | http://www.redalyc.org/articulo.oa?id=323127098010 |
| work_keys_str_mv | AT miguelconde aescritacomovidadejoaoanzanellocarrascoza AT miguelconde escritacomovidadejoaoanzanellocarrascoza |