Bildlichkeit und Begriff in den Zeichnungen zum 1. Werksatz Franz Erhard Walthers

The present text is limited to the position of the diagrams and work drawings (Werkzeichnungen) inside the oeuvre of the German artist Franz Erhard Walther (*1939). These are read as side effects of the objects in the 1. Werksatz (1963-69). In them, the problem of communicability is addressed, while...

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Main Author: Lorenzo Thelen
Format: Article
Language:deu
Published: Centre Interdisciplinaire d'Etudes et de Recherches sur l'Allemagne (CIERA) 2025-04-01
Series:Tr@jectoires
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Online Access:https://journals.openedition.org/trajectoires/11374
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author Lorenzo Thelen
author_facet Lorenzo Thelen
author_sort Lorenzo Thelen
collection DOAJ
description The present text is limited to the position of the diagrams and work drawings (Werkzeichnungen) inside the oeuvre of the German artist Franz Erhard Walther (*1939). These are read as side effects of the objects in the 1. Werksatz (1963-69). In them, the problem of communicability is addressed, while at the same time they stand on the threshold of abolishing the (art-)work. This “Janus-faced conception of the work” (Michael Lingner) sets out to make an aesthetic experience communicable. The focus is on the reciprocal intersection and overlapping of pictorial and conceptual elements within the work drawings. An approach that finds its material equivalent using paper on both sides.
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1961-9057
language deu
publishDate 2025-04-01
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spelling doaj-art-5ffb5d58cefb4747a4b623c3e674a5262025-08-20T01:55:16ZdeuCentre Interdisciplinaire d'Etudes et de Recherches sur l'Allemagne (CIERA)Tr@jectoires1959-531X1961-90572025-04-011810.4000/13pgkBildlichkeit und Begriff in den Zeichnungen zum 1. Werksatz Franz Erhard WalthersLorenzo ThelenThe present text is limited to the position of the diagrams and work drawings (Werkzeichnungen) inside the oeuvre of the German artist Franz Erhard Walther (*1939). These are read as side effects of the objects in the 1. Werksatz (1963-69). In them, the problem of communicability is addressed, while at the same time they stand on the threshold of abolishing the (art-)work. This “Janus-faced conception of the work” (Michael Lingner) sets out to make an aesthetic experience communicable. The focus is on the reciprocal intersection and overlapping of pictorial and conceptual elements within the work drawings. An approach that finds its material equivalent using paper on both sides.https://journals.openedition.org/trajectoires/11374imageWALTHER Franz Erhard1. Werksatzdiagramdrawinglanguage
spellingShingle Lorenzo Thelen
Bildlichkeit und Begriff in den Zeichnungen zum 1. Werksatz Franz Erhard Walthers
Tr@jectoires
image
WALTHER Franz Erhard
1. Werksatz
diagram
drawing
language
title Bildlichkeit und Begriff in den Zeichnungen zum 1. Werksatz Franz Erhard Walthers
title_full Bildlichkeit und Begriff in den Zeichnungen zum 1. Werksatz Franz Erhard Walthers
title_fullStr Bildlichkeit und Begriff in den Zeichnungen zum 1. Werksatz Franz Erhard Walthers
title_full_unstemmed Bildlichkeit und Begriff in den Zeichnungen zum 1. Werksatz Franz Erhard Walthers
title_short Bildlichkeit und Begriff in den Zeichnungen zum 1. Werksatz Franz Erhard Walthers
title_sort bildlichkeit und begriff in den zeichnungen zum 1 werksatz franz erhard walthers
topic image
WALTHER Franz Erhard
1. Werksatz
diagram
drawing
language
url https://journals.openedition.org/trajectoires/11374
work_keys_str_mv AT lorenzothelen bildlichkeitundbegriffindenzeichnungenzum1werksatzfranzerhardwalthers