Sinetron Religius: Sinetron Islami?

In 2005-2007, Indonesian electronic cinemas (soup operas) full of religious- mystique contents. This genre usually named as religious or Islamic electronic cinema. These electronic cinemas are popularly considered representing religiosity and Islam. So, the question will be answered by this study is...

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Main Author: Muzayin Nazaruddin
Format: Article
Language:English
Published: Department of Communications, Universitas Islam Indonesia 2016-06-01
Series:Jurnal Komunikasi
Online Access:https://journal.uii.ac.id/jurnal-komunikasi/article/view/5632
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author Muzayin Nazaruddin
author_facet Muzayin Nazaruddin
author_sort Muzayin Nazaruddin
collection DOAJ
description In 2005-2007, Indonesian electronic cinemas (soup operas) full of religious- mystique contents. This genre usually named as religious or Islamic electronic cinema. These electronic cinemas are popularly considered representing religiosity and Islam. So, the question will be answered by this study is: in these electronic cinemas, what signifying practices which considered as the representation of religiosity and Islam? Answering this question, author applied Barthes's semiotics. Some research outcomes were resulted. First, there were more than 44 titles of religious electronic cinemas during 2005-2007. Second, three categories of these cinemas: the story of sinner which being tortured, the story of the successful tough, and the story the sinner which repent. Third, four signifying practices used to show that the content of these electronic cinemas are matching with Islamic doctrine: the titles use Islamic idioms, the resource of stories claimed as fact, use popular Islamic preachers, the narrative is Islamic sermon.
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institution DOAJ
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publisher Department of Communications, Universitas Islam Indonesia
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series Jurnal Komunikasi
spelling doaj-art-5f286f32ddfe4e31bfe9623ac11638aa2025-08-20T02:45:24ZengDepartment of Communications, Universitas Islam IndonesiaJurnal Komunikasi1907-848X2548-76472016-06-01225064Sinetron Religius: Sinetron Islami?Muzayin Nazaruddin0Universitas Islam Indonesia YogyakartaIn 2005-2007, Indonesian electronic cinemas (soup operas) full of religious- mystique contents. This genre usually named as religious or Islamic electronic cinema. These electronic cinemas are popularly considered representing religiosity and Islam. So, the question will be answered by this study is: in these electronic cinemas, what signifying practices which considered as the representation of religiosity and Islam? Answering this question, author applied Barthes's semiotics. Some research outcomes were resulted. First, there were more than 44 titles of religious electronic cinemas during 2005-2007. Second, three categories of these cinemas: the story of sinner which being tortured, the story of the successful tough, and the story the sinner which repent. Third, four signifying practices used to show that the content of these electronic cinemas are matching with Islamic doctrine: the titles use Islamic idioms, the resource of stories claimed as fact, use popular Islamic preachers, the narrative is Islamic sermon. https://journal.uii.ac.id/jurnal-komunikasi/article/view/5632
spellingShingle Muzayin Nazaruddin
Sinetron Religius: Sinetron Islami?
Jurnal Komunikasi
title Sinetron Religius: Sinetron Islami?
title_full Sinetron Religius: Sinetron Islami?
title_fullStr Sinetron Religius: Sinetron Islami?
title_full_unstemmed Sinetron Religius: Sinetron Islami?
title_short Sinetron Religius: Sinetron Islami?
title_sort sinetron religius sinetron islami
url https://journal.uii.ac.id/jurnal-komunikasi/article/view/5632
work_keys_str_mv AT muzayinnazaruddin sinetronreligiussinetronislami