Theatre Control Policy or Why After Goran Stefanovski and Dejan Dukovski, No One Is Known Outside the Borders of the Macedonian Theatre? (2010–2021)

To capture the dramatic situation in/of the contemporary drama theatre in Macedonia, I will try to draw certain characteristics of the state of the theatre by referring to several political and social conditions with us, that erode the spirit and matter of everyday life.

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Bibliographic Details
Main Author: Ivana Apostolova Baskar
Format: Article
Language:English
Published: University of Ljubljana Press (Založba Univerze v Ljubljani) & Slovenian Theatre Institute (Slovenski gledališki inštitut) 2022-05-01
Series:Amfiteater
Subjects:
Online Access:https://journals.uni-lj.si/amfiteater/article/view/19336
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author Ivana Apostolova Baskar
author_facet Ivana Apostolova Baskar
author_sort Ivana Apostolova Baskar
collection DOAJ
description To capture the dramatic situation in/of the contemporary drama theatre in Macedonia, I will try to draw certain characteristics of the state of the theatre by referring to several political and social conditions with us, that erode the spirit and matter of everyday life.
format Article
id doaj-art-5f00bbd05bfc4a908d1e2056ca176ff6
institution DOAJ
issn 1855-4539
1855-850X
language English
publishDate 2022-05-01
publisher University of Ljubljana Press (Založba Univerze v Ljubljani) & Slovenian Theatre Institute (Slovenski gledališki inštitut)
record_format Article
series Amfiteater
spelling doaj-art-5f00bbd05bfc4a908d1e2056ca176ff62025-08-20T03:11:39ZengUniversity of Ljubljana Press (Založba Univerze v Ljubljani) & Slovenian Theatre Institute (Slovenski gledališki inštitut)Amfiteater1855-45391855-850X2022-05-0110110.51937/Amfiteater-2022-1/346-357Theatre Control Policy or Why After Goran Stefanovski and Dejan Dukovski, No One Is Known Outside the Borders of the Macedonian Theatre? (2010–2021)Ivana Apostolova BaskarTo capture the dramatic situation in/of the contemporary drama theatre in Macedonia, I will try to draw certain characteristics of the state of the theatre by referring to several political and social conditions with us, that erode the spirit and matter of everyday life. https://journals.uni-lj.si/amfiteater/article/view/19336Macedonian Contemporary TheatreMacedonian Contemporary Drama
spellingShingle Ivana Apostolova Baskar
Theatre Control Policy or Why After Goran Stefanovski and Dejan Dukovski, No One Is Known Outside the Borders of the Macedonian Theatre? (2010–2021)
Amfiteater
Macedonian Contemporary Theatre
Macedonian Contemporary Drama
title Theatre Control Policy or Why After Goran Stefanovski and Dejan Dukovski, No One Is Known Outside the Borders of the Macedonian Theatre? (2010–2021)
title_full Theatre Control Policy or Why After Goran Stefanovski and Dejan Dukovski, No One Is Known Outside the Borders of the Macedonian Theatre? (2010–2021)
title_fullStr Theatre Control Policy or Why After Goran Stefanovski and Dejan Dukovski, No One Is Known Outside the Borders of the Macedonian Theatre? (2010–2021)
title_full_unstemmed Theatre Control Policy or Why After Goran Stefanovski and Dejan Dukovski, No One Is Known Outside the Borders of the Macedonian Theatre? (2010–2021)
title_short Theatre Control Policy or Why After Goran Stefanovski and Dejan Dukovski, No One Is Known Outside the Borders of the Macedonian Theatre? (2010–2021)
title_sort theatre control policy or why after goran stefanovski and dejan dukovski no one is known outside the borders of the macedonian theatre 2010 2021
topic Macedonian Contemporary Theatre
Macedonian Contemporary Drama
url https://journals.uni-lj.si/amfiteater/article/view/19336
work_keys_str_mv AT ivanaapostolovabaskar theatrecontrolpolicyorwhyaftergoranstefanovskianddejandukovskinooneisknownoutsidethebordersofthemacedoniantheatre20102021