Estereotipos distópicos en el cine latinoamericano a través de El Club (Pablo Larraín, Chile, 2015) y Zama (Lucrecia Martel, Argentina, 2017)

The New Latin American Cinema from the mid-20th century to the present is very rich in dystopian titles, content, places and characters. In this article we have selected two works and two authors with extensive awards and totally new and groundbreaking, since they turn the peripheral places of the L...

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Main Author: María Dolores de los Ángeles Pérez Murillo
Format: Article
Language:Spanish
Published: Groupe de Recherche Amérique Latine Histoire et Mémoire 2023-06-01
Series:Les Cahiers ALHIM
Subjects:
Online Access:https://journals.openedition.org/alhim/11834
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author María Dolores de los Ángeles Pérez Murillo
author_facet María Dolores de los Ángeles Pérez Murillo
author_sort María Dolores de los Ángeles Pérez Murillo
collection DOAJ
description The New Latin American Cinema from the mid-20th century to the present is very rich in dystopian titles, content, places and characters. In this article we have selected two works and two authors with extensive awards and totally new and groundbreaking, since they turn the peripheral places of the Latin American continent and excluded characters into paradigms of a singular film narrative that bets on dystopia.
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institution Kabale University
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1777-5175
language Spanish
publishDate 2023-06-01
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record_format Article
series Les Cahiers ALHIM
spelling doaj-art-5eeee2ea96764dcf838a16a361cee0e72025-01-10T14:55:53ZspaGroupe de Recherche Amérique Latine Histoire et MémoireLes Cahiers ALHIM1628-67311777-51752023-06-014510.4000/alhim.11834Estereotipos distópicos en el cine latinoamericano a través de El Club (Pablo Larraín, Chile, 2015) y Zama (Lucrecia Martel, Argentina, 2017)María Dolores de los Ángeles Pérez MurilloThe New Latin American Cinema from the mid-20th century to the present is very rich in dystopian titles, content, places and characters. In this article we have selected two works and two authors with extensive awards and totally new and groundbreaking, since they turn the peripheral places of the Latin American continent and excluded characters into paradigms of a singular film narrative that bets on dystopia.https://journals.openedition.org/alhim/11834Latin Americacinemadystopiafilm narrativesXXI century
spellingShingle María Dolores de los Ángeles Pérez Murillo
Estereotipos distópicos en el cine latinoamericano a través de El Club (Pablo Larraín, Chile, 2015) y Zama (Lucrecia Martel, Argentina, 2017)
Les Cahiers ALHIM
Latin America
cinema
dystopia
film narratives
XXI century
title Estereotipos distópicos en el cine latinoamericano a través de El Club (Pablo Larraín, Chile, 2015) y Zama (Lucrecia Martel, Argentina, 2017)
title_full Estereotipos distópicos en el cine latinoamericano a través de El Club (Pablo Larraín, Chile, 2015) y Zama (Lucrecia Martel, Argentina, 2017)
title_fullStr Estereotipos distópicos en el cine latinoamericano a través de El Club (Pablo Larraín, Chile, 2015) y Zama (Lucrecia Martel, Argentina, 2017)
title_full_unstemmed Estereotipos distópicos en el cine latinoamericano a través de El Club (Pablo Larraín, Chile, 2015) y Zama (Lucrecia Martel, Argentina, 2017)
title_short Estereotipos distópicos en el cine latinoamericano a través de El Club (Pablo Larraín, Chile, 2015) y Zama (Lucrecia Martel, Argentina, 2017)
title_sort estereotipos distopicos en el cine latinoamericano a traves de el club pablo larrain chile 2015 y zama lucrecia martel argentina 2017
topic Latin America
cinema
dystopia
film narratives
XXI century
url https://journals.openedition.org/alhim/11834
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