Estereotipos distópicos en el cine latinoamericano a través de El Club (Pablo Larraín, Chile, 2015) y Zama (Lucrecia Martel, Argentina, 2017)
The New Latin American Cinema from the mid-20th century to the present is very rich in dystopian titles, content, places and characters. In this article we have selected two works and two authors with extensive awards and totally new and groundbreaking, since they turn the peripheral places of the L...
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| Format: | Article |
| Language: | Spanish |
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Groupe de Recherche Amérique Latine Histoire et Mémoire
2023-06-01
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| Series: | Les Cahiers ALHIM |
| Subjects: | |
| Online Access: | https://journals.openedition.org/alhim/11834 |
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| Summary: | The New Latin American Cinema from the mid-20th century to the present is very rich in dystopian titles, content, places and characters. In this article we have selected two works and two authors with extensive awards and totally new and groundbreaking, since they turn the peripheral places of the Latin American continent and excluded characters into paradigms of a singular film narrative that bets on dystopia. |
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| ISSN: | 1628-6731 1777-5175 |