A Critique on the Book Silent Cinema by Liam O’Leary, Paul A. Schroeder Rodriguez, translated by Majid Mostafavi
The history of silent cinema is, in one sense, a record of the struggles, sufferings, victories, and failures that have been instrumental in achieving what we know today as cinema and its rules and attributes. It is also about the historical narratives that have been polished and expanded our unders...
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| Format: | Article |
| Language: | fas |
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Institute for Humanities and Cultural Studies (IHCS)
2021-10-01
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| Series: | پژوهشنامۀ انتقادی متون و برنامههای علوم انسانی |
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| Online Access: | https://criticalstudy.ihcs.ac.ir/article_7022_b10841828c08954b17a66f7f4c056d13.pdf |
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| _version_ | 1841555316399931392 |
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| author | Hamed Fardar Hamid Dehghanpour |
| author_facet | Hamed Fardar Hamid Dehghanpour |
| author_sort | Hamed Fardar |
| collection | DOAJ |
| description | The history of silent cinema is, in one sense, a record of the struggles, sufferings, victories, and failures that have been instrumental in achieving what we know today as cinema and its rules and attributes. It is also about the historical narratives that have been polished and expanded our understanding of the silent era over time. This book is a combination of two separate books by Liam Olieri and Paul Schroder Rodriguez, a concise, compelling narrative of those early years. The first book, by Liam Olivier, is dedicated to the history of silent cinema in Western countries, and the second, written by Paul Rodrigues, analyses the history of that time in Latin America. This article attempts to look at the omissions and shortcomings of the book in the Persian version to show which parts of it are repetitive and inconsistent and which ones are useful, fresh, and informative for readers. |
| format | Article |
| id | doaj-art-5ee2fd2813f84adca6d6a9a42c5a4733 |
| institution | Kabale University |
| issn | 2383-1650 |
| language | fas |
| publishDate | 2021-10-01 |
| publisher | Institute for Humanities and Cultural Studies (IHCS) |
| record_format | Article |
| series | پژوهشنامۀ انتقادی متون و برنامههای علوم انسانی |
| spelling | doaj-art-5ee2fd2813f84adca6d6a9a42c5a47332025-01-08T05:42:01ZfasInstitute for Humanities and Cultural Studies (IHCS)پژوهشنامۀ انتقادی متون و برنامههای علوم انسانی2383-16502021-10-0121830533010.30465/crtls.2021.29460.17187022A Critique on the Book Silent Cinema by Liam O’Leary, Paul A. Schroeder Rodriguez, translated by Majid MostafaviHamed Fardar0Hamid Dehghanpour1MA in Cinema, Art University of Tehran, Tehran, IranFaculty Member of Art University of Tehran, Tehran, Iran,The history of silent cinema is, in one sense, a record of the struggles, sufferings, victories, and failures that have been instrumental in achieving what we know today as cinema and its rules and attributes. It is also about the historical narratives that have been polished and expanded our understanding of the silent era over time. This book is a combination of two separate books by Liam Olieri and Paul Schroder Rodriguez, a concise, compelling narrative of those early years. The first book, by Liam Olivier, is dedicated to the history of silent cinema in Western countries, and the second, written by Paul Rodrigues, analyses the history of that time in Latin America. This article attempts to look at the omissions and shortcomings of the book in the Persian version to show which parts of it are repetitive and inconsistent and which ones are useful, fresh, and informative for readers.https://criticalstudy.ihcs.ac.ir/article_7022_b10841828c08954b17a66f7f4c056d13.pdfsilent cinemafilmhistorylatin america |
| spellingShingle | Hamed Fardar Hamid Dehghanpour A Critique on the Book Silent Cinema by Liam O’Leary, Paul A. Schroeder Rodriguez, translated by Majid Mostafavi پژوهشنامۀ انتقادی متون و برنامههای علوم انسانی silent cinema film history latin america |
| title | A Critique on the Book Silent Cinema by Liam O’Leary, Paul A. Schroeder Rodriguez, translated by Majid Mostafavi |
| title_full | A Critique on the Book Silent Cinema by Liam O’Leary, Paul A. Schroeder Rodriguez, translated by Majid Mostafavi |
| title_fullStr | A Critique on the Book Silent Cinema by Liam O’Leary, Paul A. Schroeder Rodriguez, translated by Majid Mostafavi |
| title_full_unstemmed | A Critique on the Book Silent Cinema by Liam O’Leary, Paul A. Schroeder Rodriguez, translated by Majid Mostafavi |
| title_short | A Critique on the Book Silent Cinema by Liam O’Leary, Paul A. Schroeder Rodriguez, translated by Majid Mostafavi |
| title_sort | critique on the book silent cinema by liam o leary paul a schroeder rodriguez translated by majid mostafavi |
| topic | silent cinema film history latin america |
| url | https://criticalstudy.ihcs.ac.ir/article_7022_b10841828c08954b17a66f7f4c056d13.pdf |
| work_keys_str_mv | AT hamedfardar acritiqueonthebooksilentcinemabyliamolearypaulaschroederrodrigueztranslatedbymajidmostafavi AT hamiddehghanpour acritiqueonthebooksilentcinemabyliamolearypaulaschroederrodrigueztranslatedbymajidmostafavi AT hamedfardar critiqueonthebooksilentcinemabyliamolearypaulaschroederrodrigueztranslatedbymajidmostafavi AT hamiddehghanpour critiqueonthebooksilentcinemabyliamolearypaulaschroederrodrigueztranslatedbymajidmostafavi |