La liberté du double cadre

In his film The Passenger, which recounts the quest for an impossible freedom, Antonioni multiplies the frames within the frame, up to a famous shot that has become legendary, which underlines and erases the power of the frames.

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Bibliographic Details
Main Author: Vincent Amiel
Format: Article
Language:fra
Published: Centre d´Histoire et Théorie des Arts 2022-12-01
Series:Images Re-Vues
Subjects:
Online Access:https://journals.openedition.org/imagesrevues/12650
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author Vincent Amiel
author_facet Vincent Amiel
author_sort Vincent Amiel
collection DOAJ
description In his film The Passenger, which recounts the quest for an impossible freedom, Antonioni multiplies the frames within the frame, up to a famous shot that has become legendary, which underlines and erases the power of the frames.
format Article
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institution OA Journals
issn 1778-3801
language fra
publishDate 2022-12-01
publisher Centre d´Histoire et Théorie des Arts
record_format Article
series Images Re-Vues
spelling doaj-art-5deaeee388024afc8c13b55c6baaa4872025-08-20T02:20:10ZfraCentre d´Histoire et Théorie des ArtsImages Re-Vues1778-38012022-12-011010.4000/imagesrevues.12650La liberté du double cadreVincent AmielIn his film The Passenger, which recounts the quest for an impossible freedom, Antonioni multiplies the frames within the frame, up to a famous shot that has become legendary, which underlines and erases the power of the frames.https://journals.openedition.org/imagesrevues/12650framespaceover framingAntonionithe passenger
spellingShingle Vincent Amiel
La liberté du double cadre
Images Re-Vues
frame
space
over framing
Antonioni
the passenger
title La liberté du double cadre
title_full La liberté du double cadre
title_fullStr La liberté du double cadre
title_full_unstemmed La liberté du double cadre
title_short La liberté du double cadre
title_sort la liberte du double cadre
topic frame
space
over framing
Antonioni
the passenger
url https://journals.openedition.org/imagesrevues/12650
work_keys_str_mv AT vincentamiel lalibertedudoublecadre