Boris Pahor’s Urban Miniature: Conducting the City as an Open-Ended Score

Against the background of an introductory note on Boris Pahor’s writings, this contribution focuses on one particular example of his work. It is an urban miniature that blurs the boundaries between literary, musical, and architectural writing—and from mutually antagonistic positions it converges tow...

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Main Author: Solioz Christophe
Format: Article
Language:English
Published: De Gruyter 2023-12-01
Series:Comparative Southeast European Studies
Subjects:
Online Access:https://doi.org/10.1515/soeu-2023-0058
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author Solioz Christophe
author_facet Solioz Christophe
author_sort Solioz Christophe
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description Against the background of an introductory note on Boris Pahor’s writings, this contribution focuses on one particular example of his work. It is an urban miniature that blurs the boundaries between literary, musical, and architectural writing—and from mutually antagonistic positions it converges towards some measure of coherence. Pahor explores the urban space by conceiving it as an open-ended musical score, but combining poetry, music, film, and architecture to pave the way for a new kind of investigation of the urban space. Removed from centralized and object-defined urbanism, the action and context-related city is experienced differently, as a space of possibility, as if it were itself a creative process amounting to a performance. That viewpoint corresponds to a shift from the ontological “what” to the performance of “how”, and demands acknowledgement of the city’s state of constant change, shaped by its users’ agency.
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spelling doaj-art-5d68f409f3d74ec39f97ca84f589022d2025-01-02T05:57:53ZengDe GruyterComparative Southeast European Studies2701-81992701-82022023-12-0171461763010.1515/soeu-2023-0058Boris Pahor’s Urban Miniature: Conducting the City as an Open-Ended ScoreSolioz Christophe0MAP Nomad Think Tank, Geneva, SwitzerlandAgainst the background of an introductory note on Boris Pahor’s writings, this contribution focuses on one particular example of his work. It is an urban miniature that blurs the boundaries between literary, musical, and architectural writing—and from mutually antagonistic positions it converges towards some measure of coherence. Pahor explores the urban space by conceiving it as an open-ended musical score, but combining poetry, music, film, and architecture to pave the way for a new kind of investigation of the urban space. Removed from centralized and object-defined urbanism, the action and context-related city is experienced differently, as a space of possibility, as if it were itself a creative process amounting to a performance. That viewpoint corresponds to a shift from the ontological “what” to the performance of “how”, and demands acknowledgement of the city’s state of constant change, shaped by its users’ agency.https://doi.org/10.1515/soeu-2023-0058boris pahortriesteurban miniaturefilmmusicperformancearchitecture
spellingShingle Solioz Christophe
Boris Pahor’s Urban Miniature: Conducting the City as an Open-Ended Score
Comparative Southeast European Studies
boris pahor
trieste
urban miniature
film
music
performance
architecture
title Boris Pahor’s Urban Miniature: Conducting the City as an Open-Ended Score
title_full Boris Pahor’s Urban Miniature: Conducting the City as an Open-Ended Score
title_fullStr Boris Pahor’s Urban Miniature: Conducting the City as an Open-Ended Score
title_full_unstemmed Boris Pahor’s Urban Miniature: Conducting the City as an Open-Ended Score
title_short Boris Pahor’s Urban Miniature: Conducting the City as an Open-Ended Score
title_sort boris pahor s urban miniature conducting the city as an open ended score
topic boris pahor
trieste
urban miniature
film
music
performance
architecture
url https://doi.org/10.1515/soeu-2023-0058
work_keys_str_mv AT soliozchristophe borispahorsurbanminiatureconductingthecityasanopenendedscore