Impact des activités touristiques en forêt de Fontainebleau du xixe siècle à nos jours

The Fontainebleau forest has attracted many painters through history, especially those of the “Barbizon school”, and it has also been a destination for wealthy Paris inhabitants in search of outdoor activities. Outings to the forest became the fashion and were made easy with the start of train servi...

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Main Author: Micheline Hotyat
Format: Article
Language:English
Published: Association AGF 2013-07-01
Series:Bulletin de l’Association de Géographes Français
Subjects:
Online Access:https://journals.openedition.org/bagf/2328
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author Micheline Hotyat
author_facet Micheline Hotyat
author_sort Micheline Hotyat
collection DOAJ
description The Fontainebleau forest has attracted many painters through history, especially those of the “Barbizon school”, and it has also been a destination for wealthy Paris inhabitants in search of outdoor activities. Outings to the forest became the fashion and were made easy with the start of train service to Avon in 1849. The Barbizon painters were strong supporters of the majestic oak trees, and in 1861 they won the right to have more than a thousand acres of forest given back to "nature" and to have them called "Artistic Series".These areas have been preserved up to this day, but to what extent have they evolved and what type of landscapes do they offer today? Since World War Two, the Fontainebleau forest has attracted more and more visitors, coming to use the forest area. But this large number of visitors, in such a fragile environment, has led to severe erosion in places making it partly hazardous.Over the centuries, how did administrators balanced the management of the timber production and the welcoming of visitors?
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spelling doaj-art-5d2c3b2b6c3a4e52a02a96bb373ea0582025-08-20T02:02:43ZengAssociation AGFBulletin de l’Association de Géographes Français0004-53222275-51952013-07-0190221923110.4000/bagf.2328Impact des activités touristiques en forêt de Fontainebleau du xixe siècle à nos joursMicheline HotyatThe Fontainebleau forest has attracted many painters through history, especially those of the “Barbizon school”, and it has also been a destination for wealthy Paris inhabitants in search of outdoor activities. Outings to the forest became the fashion and were made easy with the start of train service to Avon in 1849. The Barbizon painters were strong supporters of the majestic oak trees, and in 1861 they won the right to have more than a thousand acres of forest given back to "nature" and to have them called "Artistic Series".These areas have been preserved up to this day, but to what extent have they evolved and what type of landscapes do they offer today? Since World War Two, the Fontainebleau forest has attracted more and more visitors, coming to use the forest area. But this large number of visitors, in such a fragile environment, has led to severe erosion in places making it partly hazardous.Over the centuries, how did administrators balanced the management of the timber production and the welcoming of visitors?https://journals.openedition.org/bagf/2328TourismErosionBarbizon paintersBeech treesForestOaks
spellingShingle Micheline Hotyat
Impact des activités touristiques en forêt de Fontainebleau du xixe siècle à nos jours
Bulletin de l’Association de Géographes Français
Tourism
Erosion
Barbizon painters
Beech trees
Forest
Oaks
title Impact des activités touristiques en forêt de Fontainebleau du xixe siècle à nos jours
title_full Impact des activités touristiques en forêt de Fontainebleau du xixe siècle à nos jours
title_fullStr Impact des activités touristiques en forêt de Fontainebleau du xixe siècle à nos jours
title_full_unstemmed Impact des activités touristiques en forêt de Fontainebleau du xixe siècle à nos jours
title_short Impact des activités touristiques en forêt de Fontainebleau du xixe siècle à nos jours
title_sort impact des activites touristiques en foret de fontainebleau du xixe siecle a nos jours
topic Tourism
Erosion
Barbizon painters
Beech trees
Forest
Oaks
url https://journals.openedition.org/bagf/2328
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