Ana María Barrenechea, fundadora de objetos críticos

A method for organizing literary criticism in Argentina is to notice the definition of objects that fulfills every critic. Ana María Barrenechea (1913-2010) began the practice in 1953 when she published a text on Macedonio Fernández who installed him as a key figure in the local literature. That ina...

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Main Author: Marcela Croce
Format: Article
Language:Spanish
Published: Réseau Interuniversitaire d'Ètude des Littératures Contemporaines du Río de la Plata 2013-09-01
Series:Cuadernos LIRICO
Subjects:
Online Access:https://journals.openedition.org/lirico/1086
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author Marcela Croce
author_facet Marcela Croce
author_sort Marcela Croce
collection DOAJ
description A method for organizing literary criticism in Argentina is to notice the definition of objects that fulfills every critic. Ana María Barrenechea (1913-2010) began the practice in 1953 when she published a text on Macedonio Fernández who installed him as a key figure in the local literature. That inaugural decision continued a few years later with Borges. The probably more canonical writer of the Western literature in the second half of the twentieth century was set as a critical object in 1957 with La expresión de la irrealidad en la obra de Borges. After that came Cuaderno de bitácora de Rayuela, followed by the attention to Ricardo Piglia in narrative and Susana Thénon in poetry. Without neglecting the Latin American scopes of her literary interests, explicit especially from the 70s, to acknowledge Barrenechea as the person who established the more proliferating objects of study of the Argentine criticism, constantly changing and updating her work, is a task that still needs to be performed.
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publisher Réseau Interuniversitaire d'Ètude des Littératures Contemporaines du Río de la Plata
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spelling doaj-art-5ce865bc0a55406181deadaa95d1733b2025-01-10T13:08:26ZspaRéseau Interuniversitaire d'Ètude des Littératures Contemporaines du Río de la PlataCuadernos LIRICO2262-83392013-09-01910.4000/lirico.1086Ana María Barrenechea, fundadora de objetos críticosMarcela CroceA method for organizing literary criticism in Argentina is to notice the definition of objects that fulfills every critic. Ana María Barrenechea (1913-2010) began the practice in 1953 when she published a text on Macedonio Fernández who installed him as a key figure in the local literature. That inaugural decision continued a few years later with Borges. The probably more canonical writer of the Western literature in the second half of the twentieth century was set as a critical object in 1957 with La expresión de la irrealidad en la obra de Borges. After that came Cuaderno de bitácora de Rayuela, followed by the attention to Ricardo Piglia in narrative and Susana Thénon in poetry. Without neglecting the Latin American scopes of her literary interests, explicit especially from the 70s, to acknowledge Barrenechea as the person who established the more proliferating objects of study of the Argentine criticism, constantly changing and updating her work, is a task that still needs to be performed.https://journals.openedition.org/lirico/1086literary criticismphilologiestylisticsArgentine literature
spellingShingle Marcela Croce
Ana María Barrenechea, fundadora de objetos críticos
Cuadernos LIRICO
literary criticism
philologie
stylistics
Argentine literature
title Ana María Barrenechea, fundadora de objetos críticos
title_full Ana María Barrenechea, fundadora de objetos críticos
title_fullStr Ana María Barrenechea, fundadora de objetos críticos
title_full_unstemmed Ana María Barrenechea, fundadora de objetos críticos
title_short Ana María Barrenechea, fundadora de objetos críticos
title_sort ana maria barrenechea fundadora de objetos criticos
topic literary criticism
philologie
stylistics
Argentine literature
url https://journals.openedition.org/lirico/1086
work_keys_str_mv AT marcelacroce anamariabarrenecheafundadoradeobjetoscriticos