La producción del cine fronterizo: Una industria de sueño
In this essay, the author analyses borderline cinema from the point of view of its production. In order to do so, she uses a series of interviews on the origins of the borderline cinema, production at the present time, themes to be treated, producers, companies, etc. The inteviewees are three pr...
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| Main Author: | |
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| Format: | Article |
| Language: | English |
| Published: |
Universidad de Colima
1991-01-01
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| Series: | Estudios sobre las Culturas Contemporáneas |
| Online Access: | http://www.redalyc.org/articulo.oa?id=31641106 |
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| Summary: | In this essay, the author analyses borderline cinema from the
point of view of its production. In order to do so, she uses a series of
interviews on the origins of the borderline cinema, production at the
present time, themes to be treated, producers, companies, etc. The
inteviewees are three producers who give existence to this genre. A
general criticism is made of the type of cinema that has been produced
at the borderline in the last feVv decades, and of the commercial ends
and meanings given to the borderline theme which do not consider the
possibilities of this medium -as a cultural product- to become an
informal means of education. |
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| ISSN: | 1405-2210 |