The Artistic World of Mikhail Shvartsman

The article analyzes the features of the work of Mikhail Matveevich Shvartsman (1926–1997). His unique artistic language began to take shape at the turn of the 1950s and 1960s, when various trends started to appear in Soviet art, which led to the emergence of nonconformism. Shvartsman’s work usually...

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Main Author: Yushkova Olga A.
Format: Article
Language:English
Published: State Institute for Art Studies 2025-03-01
Series:Художественная культура
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Online Access:https://artculturestudies.sias.ru/upload/iblock/478/84ndgvxeya9hcciikdxf5uz22pwo7fco/hk_2025_1_78.pdf
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author Yushkova Olga A.
author_facet Yushkova Olga A.
author_sort Yushkova Olga A.
collection DOAJ
description The article analyzes the features of the work of Mikhail Matveevich Shvartsman (1926–1997). His unique artistic language began to take shape at the turn of the 1950s and 1960s, when various trends started to appear in Soviet art, which led to the emergence of nonconformism. Shvartsman’s work usually classifies as metaphysical nonconformism. However, he is the only master in this field who has developed his own original artistic concept, which he called ‘hieratism’. The author of the article examines all stages of the development of the master’s work, from the first figurative cycle The Faces to the hieratures of the late 1980s and early 1990s. As a result, the peculiarities of Shvartsman’s views in the field of spirituality are revealed, as well as the essence of his searches in expressive means. The master tried to find an opportunity to express philosophical and religious ideas about the world with the non-objective language of fine art.
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spelling doaj-art-5c0455afaada4389ac495613dafb0f562025-08-20T02:50:56ZengState Institute for Art StudiesХудожественная культура2226-00722025-03-0117810710.51678/2226-0072-2025-1-78-107The Artistic World of Mikhail ShvartsmanYushkova Olga A. 0https://orcid.org/0009-0006-0245-821XResearch Institute of Theory and History of Fine Arts of the Russian Academy of ArtsThe article analyzes the features of the work of Mikhail Matveevich Shvartsman (1926–1997). His unique artistic language began to take shape at the turn of the 1950s and 1960s, when various trends started to appear in Soviet art, which led to the emergence of nonconformism. Shvartsman’s work usually classifies as metaphysical nonconformism. However, he is the only master in this field who has developed his own original artistic concept, which he called ‘hieratism’. The author of the article examines all stages of the development of the master’s work, from the first figurative cycle The Faces to the hieratures of the late 1980s and early 1990s. As a result, the peculiarities of Shvartsman’s views in the field of spirituality are revealed, as well as the essence of his searches in expressive means. The master tried to find an opportunity to express philosophical and religious ideas about the world with the non-objective language of fine art. https://artculturestudies.sias.ru/upload/iblock/478/84ndgvxeya9hcciikdxf5uz22pwo7fco/hk_2025_1_78.pdfmikhail shvartsmanhieratismmetaphysicsnonconformismthe avant-gardeabstract paintingtransformation of the art form
spellingShingle Yushkova Olga A.
The Artistic World of Mikhail Shvartsman
Художественная культура
mikhail shvartsman
hieratism
metaphysics
nonconformism
the avant-garde
abstract painting
transformation of the art form
title The Artistic World of Mikhail Shvartsman
title_full The Artistic World of Mikhail Shvartsman
title_fullStr The Artistic World of Mikhail Shvartsman
title_full_unstemmed The Artistic World of Mikhail Shvartsman
title_short The Artistic World of Mikhail Shvartsman
title_sort artistic world of mikhail shvartsman
topic mikhail shvartsman
hieratism
metaphysics
nonconformism
the avant-garde
abstract painting
transformation of the art form
url https://artculturestudies.sias.ru/upload/iblock/478/84ndgvxeya9hcciikdxf5uz22pwo7fco/hk_2025_1_78.pdf
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